{"title":"Bugiganga Tropical Treasure Covers Collection","description":"\u003ch3\u003e\u003cstrong\u003eBugiganga Tropical: The Origin of the Vinyl Collection\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cstrong\u003eTropical Diaspora Records®\u003c\/strong\u003e began with this very project: \u003cem\u003eBugiganga Tropical\u003c\/em\u003e, a 7-inch vinyl series whose name carries deep personal and colonial weight.\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003eThe Portuguese word \u003cem\u003e\"bugiganga\"\u003c\/em\u003e translates to \u003cem\u003etrinket\u003c\/em\u003e, \u003cem\u003egewgaw\u003c\/em\u003e, or \u003cem\u003eknick-knack\u003c\/em\u003e—a term I often heard in the homes of the wealthy, where my Black grandmother worked as a domestic servant (\u003cem\u003eempregada doméstica\u003c\/em\u003e), one of many euphemisms for modern-day slavery in Brazil.\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003eAs a child, I accompanied her to those opulent apartments in São Paulo’s elite neighborhoods, where white employers dismissively referred to her belongings—her few, precious possessions—as \u003cem\u003e\"bugigangas.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003eThis duality became the core of the collection: \u003cstrong\u003ewhat colonizers deem worthless—trinkets, scraps, the labor and creations of the oppressed—are, in fact, sacred.\u003c\/strong\u003e The music, crafts, and raw materials extracted through slavery and exploitation hold the true value, far beyond what the powerful ever acknowledged.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003ePlants as Memory, Vinyl as Resistance\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003eEach cover features plants—\u003cstrong\u003ecoffee, cacao, sugarcane\u003c\/strong\u003e—to honor the ancestors whose forced cultivation of these crops built the so-called \"New World.\" \u003cem\u003eBugiganga Tropical Vol.1\u003c\/em\u003e, with its coffee plant motif, ties the music’s Afro-South American rhythms directly to the land and labor from which they emerged.\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003eThis is more than a record series. It’s a reckoning with \u003cem\u003eAbya Yala\u003c\/em\u003e (the Guna people’s term for the Americas, meaning \u003cem\u003e\"land of vital blood\"\u003c\/em\u003e), where Indigenous and African resilience forged cultures that colonialism tried to erase.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Vinyl as an Archive\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe first four releases in our catalog are foundational. They trace the musical legacy of the transatlantic slave trade and Indigenous resistance. \u003cstrong\u003eVol. 1: Coffee\u003c\/strong\u003e (2015) – The brutal way of forced labor. The stimulant that fueled colonial exploitation. \u003cstrong\u003eVol. 2: Cacao\u003c\/strong\u003e (2018) – The stolen sweetness of Indigenous knowledge. The bitter seed of stolen Indigenous knowledge. \u003cstrong\u003eVol. 3: Sugar Cane\u003c\/strong\u003e (2020) – The sweet stalk that cut through generations of flesh. \u003cstrong\u003eVol. 4: Cotton\u003c\/strong\u003e (2025) – The final stitch in slavery’s fabric, now unraveled\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Call to Listen Deeply\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is more than music. It’s an act of remembrance, reclamation, and repair. We invite you to engage with these sounds, to sit with their stories, and to question the narratives you’ve been taught.\u003c\/p\u003e\n\u003cp\u003ePlay these records. Hear the past. Resist the silence.\u003c\/p\u003e\n\u003cp\u003eThank You\u003c\/p\u003e\n\u003cp\u003eDjs Dr.Sócrates and Garrincha\u003cbr\u003eTropical Diaspora Records® 2025\u003c\/p\u003e","products":[{"product_id":"bugiganga-tropical-vol-1","title":"Bugiganga Tropical Vol.1 by Super Spanish Combo \u0026 Banda Jardes","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\" data-redactor-tag=\"strong\"\u003e\u003cspan data-mce-fragment=\"1\" data-redactor-style=\"font-size: 16px;\" data-redactor-tag=\"span\" data-verified=\"redactor\" rel=\"font-size: 16px;\" style=\"font-size: 16px;\" data-mce-style=\"font-size: 16px;\"\u003eBugiganga Tropical Vol.1 • VINYL 7″ 45 rpm • Double Cover\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e\u003cstrong data-mce-fragment=\"1\" data-redactor-tag=\"strong\"\u003e\u003cspan data-mce-fragment=\"1\" data-redactor-style=\"font-size: 16px;\" data-redactor-tag=\"span\" data-verified=\"redactor\" rel=\"font-size: 16px;\" style=\"font-size: 16px;\" data-mce-style=\"font-size: 16px;\"\u003eCatalog Nr. 0 \/ Last Copy\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\" data-redactor-tag=\"strong\"\u003eGrilos Da Vida(Nego Vem Sambá)\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eby Banda Jardes • 1976 São Paulo\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eMany stories around this records exists and in Sao Paulo in the vinyl stores everybody know this record that is practically impossible to be found. One of the stories told by Regis himself is that somebody in that times as the band was very known in the city has made thousands of illegal copies of the record and as the band, producer and Regis began to search for the responsible and the pressure got to strong this guys trow all records that had not been sold in the river Tiete.\u003cbr\u003e\u003cbr\u003eAnyway this year i meet Regis in Sao Paulo to get his only one copy of the record, he has made it clear, the record is only borrowed for our Tropical Diaspora Records project also we will press this song by our label soon. We will take it from this records that is in a very good condition. The record is now in Berlin and before we press a new 7 inch with this groove, the audience here will have the opportunity to hear and dance this great samba rock by the Jardes Band.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"315\" width=\"560\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ubhP512PN6c\" frameborder=\"0\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\" data-redactor-tag=\"strong\"\u003eMataron A Juan Andrés \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\" data-redactor-tag=\"strong\"\u003eby Super Spanish Combo • 2016 Barcelona \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\" data-redactor-tag=\"strong\"\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\" data-redactor-tag=\"strong\"\u003e\u003c\/strong\u003eWe know the Super Spanish Combo since the beginning in Barcelona and at least we could realize a big live show with those guys in Berlin at the Tropical Diaspora Vol.37 last year. We define the band as a “Band with responsibility and conscience” since the Combo have an affinity to texts with strong content. To point this great combo characteristic just let´s take the case of Juan Andrés Benítez from the district of Raval in Barcelona. \u003cspan data-mce-fragment=\"1\" class=\"\" data-verified=\"redactor\" data-redactor-tag=\"span\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"hps\" data-verified=\"redactor\" data-redactor-tag=\"span\" data-redactor-class=\"hps\"\u003eJuan\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\" class=\"hps\" data-verified=\"redactor\" data-redactor-tag=\"span\" data-redactor-class=\"hps\"\u003eAndres\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\" class=\"hps\" data-verified=\"redactor\" data-redactor-tag=\"span\" data-redactor-class=\"hps\"\u003eBenitez\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\" class=\"hps\" data-verified=\"redactor\" data-redactor-tag=\"span\" data-redactor-class=\"hps\"\u003eAlvarez\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\" class=\"hps\" data-verified=\"redactor\" data-redactor-tag=\"span\" data-redactor-class=\"hps\"\u003ewas 50 years old\u003c\/span\u003e, \u003cspan data-mce-fragment=\"1\" class=\"hps\" data-verified=\"redactor\" data-redactor-tag=\"span\" data-redactor-class=\"hps\"\u003eborn in Seville\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\" class=\"hps\" data-verified=\"redactor\" data-redactor-tag=\"span\" data-redactor-class=\"hps\"\u003eand lived\u003c\/span\u003e more then 10 \u003cspan data-mce-fragment=\"1\" class=\"hps\" data-verified=\"redactor\" data-redactor-tag=\"span\" data-redactor-class=\"hps\"\u003eyears in\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\" class=\"hps\" data-verified=\"redactor\" data-redactor-tag=\"span\" data-redactor-class=\"hps\"\u003eBarcelona\u003c\/span\u003e, where he had \u003cspan data-mce-fragment=\"1\" class=\"hps\" data-verified=\"redactor\" data-redactor-tag=\"span\" data-redactor-class=\"hps\"\u003etwo commercial\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\" class=\"hps\" data-verified=\"redactor\" data-redactor-tag=\"span\" data-redactor-class=\"hps\"\u003eestablishments\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\" class=\"hps\" data-verified=\"redactor\" data-redactor-tag=\"span\" data-redactor-class=\"hps\"\u003ein the area known\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\" class=\"hps atn\" data-verified=\"redactor\" data-redactor-tag=\"span\" data-redactor-class=\"hps atn\"\u003eas ‘\u003c\/span\u003eGayxample’ \u003cspan data-mce-fragment=\"1\" class=\"hps\" data-verified=\"redactor\" data-redactor-tag=\"span\" data-redactor-class=\"hps\"\u003eof\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\" class=\"hps\" data-verified=\"redactor\" data-redactor-tag=\"span\" data-redactor-class=\"hps\"\u003eBarcelona. A\u003c\/span\u003e video shows how\u003c\/span\u003e four policemen kicked, punched, kneed and kill the man as he “squealed like a pig”, how one of the neighbours who filmed the event put it.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"315\" width=\"560\" src=\"https:\/\/www.youtube.com\/embed\/9ti6hfgvFG4\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eCover Design by Matthias Beck – \u003ca data-mce-fragment=\"1\" href=\"http:\/\/www.estudiorosebud.com\" data-mce-href=\"http:\/\/www.estudiorosebud.com\"\u003ewww.estudiorosebud.com\u003c\/a\u003e\n\u003c\/h3\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith this record we are pleased to announce the launch of our record collection \u003cem data-mce-fragment=\"1\" data-redactor-tag=\"em\"\u003eBugiganga Tropical. This is a 4 records collection with special cover designs based on Tropical Diaspora´s Records concept and realized by the designer Matthias Beck from Estudio Rosebud based in Santa Cruz de Tenerife. With plants related to the African-Diaspora in the Americas the cover art should help the beholder to remember why Africans were brought along to the Americas. For us the connection to the cultural and in our case musical legacy related to this movements from mainland Africa. This first cover art with a coffee plant remember us the kind of work Africans did in many regions in South-America, the regions where those rhythms were created trough the interaction between Africans and or Europeans and or Native south Americans. \u003c\/em\u003eHe hope you enjoy this records as we do!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003ch5\u003eDisclaimer: The images shown are for illustration and mock-up purposes only and may not be an exact representation of the product.\u003c\/h5\u003e\n\u003c\/div\u003e","brand":"Tropical Diaspora Records®","offers":[{"title":"Default Title","offer_id":39783779696834,"sku":"TDR000","price":100.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0536\/8063\/6098\/files\/Cover_TDR000_Front_ShrinkWrapping_Mockup_2000x_v1.png?v=1755885975"},{"product_id":"bugiganga-tropical-vol-2-featuring-doctor-nativo","title":"Bugiganga Tropical Vol.2 by Doctor Nativo Featuring Tzutz Kan","description":"\u003cp style=\"text-align: center;\" class=\"ds-markdown-paragraph\"\u003e\u003cstrong\u003eBugiganga Tropical Vol.2 • VINYL 7″ 45 rpm • Double Cover • Lyrics Sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv data-contents=\"true\"\u003e\n\u003cdiv data-offset-key=\"6ui97-0-0\" data-editor=\"42i3d\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv style=\"text-align: center;\" data-offset-key=\"6ui97-0-0\" class=\"_1mf _1mj\"\u003e\n\u003cspan data-offset-key=\"6ui97-0-0\"\u003e \u003c\/span\u003e★ This release is a limited edition of 300 copies ★\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eSIDE A: \u003c\/strong\u003eGUATEMAYA     ★      \u003cstrong\u003eSIDE B: \u003c\/strong\u003eSABROSURA\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cstrong\u003eWhen Ancient Tongues Speak Through Modern Beats\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003eTropical Diaspora® Records delivers a cultural milestone with \u003cem\u003eBugiganga Tropical Vol.2\u003c\/em\u003e - the explosive 7″ vinyl collaboration between Doctor Nativo and Maya rap pioneer Tzutu Kan, who delivers his incendiary verses in the Maya language on the standout track \u003cem\u003eGuatemaya\u003c\/em\u003e. This collector's edition features premium double cover artwork and complete lyrics sleeve, including translations of Tzutu Kan's powerful Maya lyrics.\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003eDoctor Nativo's fusion of reggae, cumbia and hip-hop with Mayan cosmovision finds its perfect counterpart in Tzutu Kan's groundbreaking Maya-language rap. Their collaboration on \u003cem\u003eGuatemaya\u003c\/em\u003e represents more than musical alchemy - it's an act of cultural resistance, with Tzutu Kan's verses in his native T'zutuhil language carrying four millennia of Mayan wisdom into the contemporary struggle.\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003eFrom the streets of Guatemala to international stages, Doctor Nativo has evolved from his roots with Bacteria Soundsystem Crew to becoming a standard-bearer of indigenous musical resistance through projects like Balam Ajpu. Tzutu Kan brings his revolutionary credentials as the artist who first took Maya-language hip-hop global, his words in \u003cem\u003eGuatemaya\u003c\/em\u003e resonating with the power of a people speaking their truth in their own tongue.\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003eThis vinyl artifact captures a historic moment in Latin America's musical resistance movement - where ancient languages reclaim their space in modern forms, where every bassline carries the weight of history, and where the act of singing in Maya becomes revolutionary. The double cover's vibrant artwork visually echoes this cultural synthesis, while the lyrics sleeve ensures every word - in Spanish and Maya - reaches its audience.\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cstrong\u003eTurn it up. The ancestors are listening.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e \u003c\/p\u003e\n\u003cp\u003eWRITTEN AND COMPOSED BY DOCTOR NATIVO\u003cbr\u003ePRODUCED BY IVAN DURAN\u003c\/p\u003e\n\u003cp\u003eRECORDED AND MIXED BY IVAN DURAN AND AL OVIEDO AT STONETREE STUDIOS, BELIZE. ADDITIONAL RECORDINGS AT ANGES STUDIO IN QUETZALTENANGO, GUATEMALA AND ON THE ROAD IN MONTREAL AND BARCELONA\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCREDITS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e    \u003cstrong\u003eDOCTOR NATIVO:\u003c\/strong\u003e LEAD VOCALS, ACOUSTIC GUITAR \u0026amp; PERCUSSION\u003cbr\u003e    \u003cstrong\u003eDANILO RODRIGUEZ:\u003c\/strong\u003e BASS, MARIMBA, TROMBONE \u0026amp; CUATRO\u003cbr\u003e   \u003cstrong\u003e IVAN DURAN\u003c\/strong\u003e: BASS \u0026amp; ELECTRIC GUITAR\u003cbr\u003e  \u003cstrong\u003e  GUAVO CEDERO:\u003c\/strong\u003e LEAD ELECTRIC GUITAR\u003cbr\u003e    \u003cstrong\u003eEDUARDO SANTELLA:\u003c\/strong\u003e DRUMS\u003cbr\u003e    \u003cstrong\u003eCARLES ESTRUCH:\u003c\/strong\u003e SOUSAPHONE\u003cbr\u003e    \u003cstrong\u003eCHELA TORRES:\u003c\/strong\u003e BACKING VOCALS\u003cbr\u003e    \u003cstrong\u003eROSA BERONDE:\u003c\/strong\u003e BACKING VOCALS\u003cbr\u003e    \u003cstrong\u003eJOSHUA ARAMA:\u003c\/strong\u003e GARIFUNA DRUM\u003cbr\u003e    \u003cstrong\u003eTZUTU KAN:\u003c\/strong\u003e LEAD VOCALS (MAYA RAP ON \"GUATEMAYA\")\u003c\/p\u003e","brand":"Tropical Diaspora Records®","offers":[{"title":"Default Title","offer_id":39783802437826,"sku":"TDR001","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0536\/8063\/6098\/files\/Cover_TDR001_Front_Sticker_Mockup_2000x_v1.png?v=1755252081"},{"product_id":"bugiganga-tropical-vol-3-featuring-forro-de-cabeca","title":"Bugiganga Tropical Vol.3 by Forró De Cabeça","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong data-redactor-tag=\"strong\"\u003eBugiganga Tropical Vol.3 • VINYL 7″ 45 rpm • Double Cover • Lyrics sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eOriginated in our regular Tropical Diaspora Party in Berlin this project is one we were waiting for since the beginning of our journey as recording company. The Tropical Diaspora Party in Berlin was the space and laboratory for many local bands where artistic freedom and joy came together. These Bands were playing in the most relevant venues of the German capital.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eOne party worth to mention was the Tropical Diaspora Party Vol.39 at the venue BiNuu. The experiment was to have for the first time ever two bands on the stage playing Cumbia and Forró. We call this joint venture \u003ca href=\"https:\/\/www.tropicaldiasporarecords.com\/forrumbia\/\"\u003e\u003cstrong data-redactor-tag=\"strong\"\u003e\u003cem data-redactor-tag=\"em\"\u003eFORRÚMBIA\u003c\/em\u003e\u003c\/strong\u003e\u003c\/a\u003e, an event to promote those two great rhythms from South-America. This was the kick start for the new record to be released soon by Tropical Diaspora Records honoring the original new roots music from Brazil.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eForró de Cabeça is a band that gives people of different ages and backgrounds the possibility to dive into the cultural roots of the state of Pernambuco in the North-East Brazil including rhythms such as forró, coco, afoxé and ciranda.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/UAw_1JObsHI\" width=\"560\" height=\"315\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e \u003c\/p\u003e\n\u003ch5\u003eDisclaimer: The images shown are for illustration and mock-up purposes only and may not be an exact representation of the product.\u003c\/h5\u003e","brand":"Tropical Diaspora Records®","offers":[{"title":"Default Title","offer_id":39783893729474,"sku":"TDR002","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0536\/8063\/6098\/files\/Cover_TDR002_Front_Sticker_Mockup_2000x_v1.png?v=1755253040"},{"product_id":"bugiganga-tropical-vol-4-by-izzy-gordon-carlos-casemiro-renato-gama-valerie-and-ben-turner","title":"Bugiganga Tropical Vol.4 by Izzy Gordon, Carlos Casemiro, Renato Gama, Valerie and Benedict Turner","description":"\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cstrong\u003e\u003cspan\u003eTropical Diaspora Records Completes Landmark \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eBugiganga Tropical\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e Series with Historic Vol. 4: \"Cotton\" Featuring Samba Blues and Piedmont Blūz Acoustic Duo\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cspan\u003eAs part of its 10th anniversary celebration, Berlin-based Tropical Diaspora Records proudly presents the climactic final chapter of its foundational \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eBugiganga Tropical\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e series: \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eVol. 4: \"Cotton.\"\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e This commemorative 7-inch vinyl embodies the label's decade-long journey, bridging Brazilian and American musical traditions through serendipitous encounters that mirror the diasporic connections the label has championed since 2015.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003e\u003cspan\u003eThe Stories Behind the Songs: A Decade of Musical Encounters\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cspan\u003eThe creation of this final volume spans continents and chance meetings, curated by label founder DJ Garrincha whose personal connections with the artists shaped the release's profound narrative.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cstrong\u003e\u003cspan\u003eSide A: Samba Blues - \"Resilience in the Key of Diaspora\"\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eThe journey to this collaboration began when DJ Garrincha was researching blues traditions in the Mississippi Delta, searching for the perfect sound to complete the \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eBugiganga\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e series. During this period, a transformative transatlantic conversation with Brazilian composer Renato Gama revealed the deep spiritual kinship between Mississippi blues and São Paulo samba.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cspan\u003e\"As I walked through the Mississippi landscape where the blues was born,\" recalls DJ Garrincha, \"I described to Renato how the same stories of struggle, resilience, and spiritual survival that shaped the blues were echoing through the samba circles of Brazil. We realized both forms were musical diaries of Afro-diasporic reality—raw, poetic documents of survival.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cspan\u003eThis conversation inspired Renato Gama to form the temporary collective \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSamba Blues\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e with Izzy Gordon and Carlos Casemiro, creating a track that consciously weaves the melancholic slide guitar of the Delta with the rhythmic complexity of urban samba. The resulting composition, \"Resilience in the Key of Diaspora,\" serves as a living testament to the shared roots and parallel evolution of these Afro-diasporic art forms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cstrong\u003e\u003cspan\u003eSide B: Piedmont Blūz Acoustic Duo - \"The Last Kind Words\"\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eThe discovery of Valerie and Benedict Turner came during an unexpected encounter at the Historical Regata in Venice, Italy. What began as a racial incident transformed into a profound connection when DJ Garrincha intervened in support of the Turners, who were facing discrimination during the festival.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cspan\u003e\"In that moment of tension, we found immediate kinship,\" says Benedict Turner. \"When we discovered DJ Garrincha and I shared almost the same birthday, it felt like the ancestors had orchestrated this meeting.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cspan\u003eThe trio's farewell at a Venice crossing where eight streets converged—a powerful symbolic reference to the orishá Exú, who governs human pathways and crossroads—inspired the Turners to contribute \"The Last Kind Words.\" This haunting acoustic piece closes not only the record but exactly coincides with Tropical Diaspora's 10th anniversary, making the completion of this musical cycle feel cosmically ordained.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003e\u003cspan\u003eThe immigrants Perspective: Curating the Diasporic Dialogue\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cspan\u003eFounded in Berlin in 2015, Tropical Diaspora Records has leveraged its position in the European cultural landscape to facilitate conversations between diasporic musical traditions that might otherwise remain separate. DJ Garrincha's and Dj Dr.Sócrates role as cultural bridge-builder has been essential to these connections.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cspan\u003e\"These two encounters—one planned, one completely unexpected—demonstrate how the diaspora continues to find ways to reconnect,\" says DJ Garrincha. \"From the research trips of the Mississippi Delta to the chance meeting in Venice's canals, the ancestors were guiding us to complete this circle exactly as we mark our decade of existence.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cspan\u003e\"The fact that we complete this series exactly ten years after we began, with songs born from such meaningful encounters, feels like a blessing from Exú himself,\" reflects DJ Garrincha. \"The same crossing with eight streets in Venice were Valery, Benedict and myself said good bye now lead us forward into the next decade of Tropical Diaspora.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eTHE ORIGIN STORY: COLONIAL TRINKETS, ANCESTRAL WEALTH\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Roots of Tropical Diaspora Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe word “bugiganga” still echoes in my ears – a Portuguese term meaning trinkets or knick-knacks, spat contemptuously by wealthy Paulistanos to describe my Black grandmother’s few possessions as she worked in their homes. An “empregada doméstica” they called her – just another euphemism masking modern slavery.\u003cbr\u003eThese records grew from that injustice. What colonizers dismissed as worthless – the music, crafts, and fragments of culture preserved by the oppressed – became our most sacred treasures. The Bugiganga Tropical series honors this truth: that what masters called “trinkets” were in fact the irreplaceable heritage of enslaved Africans and Indigenous peoples.\u003c\/p\u003e\n\u003cp\u003eThis is music as living history – not streaming data, but physical artifacts you must hold to truly know, just as my grandmother’s story must be held to be remembered.\u003cbr\u003eThe cotton plant embodies the bloodiest chapter of racial capitalism—the fabric of slavery that clothed the world while stripping Africans of their freedom.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eTHE COMPLETE SERIES: A BOTANY OF RESISTANCE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e(Now updated with Vol. 4: Cotton) Each volume represents a plant that fueled colonial exploitation while nurturing resistance:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVol. 1: Coffee (2015)\u003c\/strong\u003e – The brutal way of forced labor. The stimulant that fueled colonial exploitation.\u003cbr\u003e\u003cstrong\u003eVol. 2: Cacao (2018)\u003c\/strong\u003e – The stolen sweetness of Indigenous knowledge. The bitter seed of stolen Indigenous knowledge.\u003cbr\u003e\u003cstrong\u003eVol. 3: Tobacco (2020)\u003c\/strong\u003e – The sacred leaf turned currency of oppression and genocide.\u003cbr\u003e\u003cstrong\u003eVol. 4: Cotton (2025)\u003c\/strong\u003e – The final stitch in slavery’s fabric, now unraveled.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.tdrgo.co\/pages\/bugiganga-tropical-the-7-inch-collection\" rel=\"noopener\" target=\"_blank\"\u003ehere the full history...\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003e\/\/\/ Brazilian Portuguese Version\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e10 Anos da Tropical Diaspora Records®\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003ePara celebrar uma década da Tropical Diaspora Records®, encerramos o capítulo da nossa primeira série em vinil — o projeto que deu origem ao selo em 2015.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cbr\u003e\u003cstrong\u003eA HISTÓRIA DE ORIGEM: BUGIGANGAS COLONIAIS, RIQUEZA ANCESTRAL\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAs Raízes da Tropical Diaspora Records\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA palavra “bugiganga” ainda ecoa nos meus ouvidos — um termo português para quinquilharias ou trastes, cuspido com desdém por paulistanos ricos para descrever os poucos pertences da minha avó negra enquanto ela trabalhava em suas casas. “Empregada doméstica”, eles a chamavam — apenas um eufemismo que escondia a escravidão moderna.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEsses discos nasceram dessa injustiça. O que os colonizadores chamavam de “sem valor” — a música, os artesanatos e os fragmentos de cultura preservados pelos oprimidos — tornou-se nosso tesouro mais sagrado. A série Bugiganga Tropical homenageia essa verdade: o que os senhores chamavam de “tralha” era, na realidade, a herança de africanos escravizados e povos indígenas.\u003c\/p\u003e\n\u003cp\u003eEsta é a música como história viva — não dados de streaming, mas artefatos físicos que você precisa segurar para realmente conhecer, assim como a história da minha avó precisa ser guardada para ser lembrada.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eO algodão encarna o capítulo mais sangrento do capitalismo racial — o tecido da escravidão que vestiu o mundo enquanto arrancava a liberdade dos africanos.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eA SÉRIE COMPLETA: UMA BOTÂNICA DA RESISTÊNCIA\u003c\/strong\u003e (Agora atualizada com o Vol. 4: Algodão)\u003c\/p\u003e\n\u003cp\u003eCada volume representa uma planta que alimentou a exploração colonial enquanto nutria a resistência:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVol. 1: Café (2015)\u003c\/strong\u003e – O caminho brutal do trabalho forçado. O estimulante que alimentou a exploração colonial.\u003cbr\u003e\u003cstrong\u003eVol. 2: Cacau (2018)\u003c\/strong\u003e – A doçura roubada do conhecimento indígena. A semente amarga do saber indígena usurpado.\u003cbr\u003e\u003cstrong\u003eVol. 3: Tabaco (2020)\u003c\/strong\u003e – A folha sagrada transformada em moeda de opressão e genocídio.\u003cbr\u003e\u003cstrong\u003eVol. 4: Algodão (2025)\u003c\/strong\u003e – O ponto final no tecido da escravidão, agora desfeito.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.tdrgo.co\/pages\/bugiganga-tropical-7-inch-collection\" rel=\"noopener\" target=\"_blank\"\u003eaqui a história completa..\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch2\u003e\n\u003cbr\u003eCredits\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eSamba Blues\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLyrics and Melody: Renato Gama\u003cbr\u003ePerformed by:\u003cbr\u003eRenato Gama: Guitar Arrangement\u003cbr\u003eIzzy Gordon: Voice\u003cbr\u003eCarlos Casemiro: Voice\u003cbr\u003eHarmonica: André Luís\u003cbr\u003eCavaquinho: Camila Silva\u003cbr\u003eCuíca: Jhony Guina\u003c\/p\u003e\n\u003cp\u003eSound Technician: kauê Gama\u003cbr\u003eRoadie: Marcelinho Henrique\u003cbr\u003eMusical Production: Ronaldo Gama\u003cbr\u003eMusical Direction: Renato Gama\u003cbr\u003eExecutive Production: Ligéa de Mateo\u003c\/p\u003e\n\u003cp\u003eLyrics:\u003cbr\u003eSamba Blues (Renato Gama)\u003c\/p\u003e\n\u003cp\u003eNo Haiti\u003cbr\u003eEm uma encruzilhada\u003cbr\u003eHouve um encontro de Robert Johnson e Carlos Cachaça\u003cbr\u003eNão teve reza não\u003cbr\u003eMas firmaram uma composição\u003cbr\u003eUm samba blues que será cantado por Jamelão\u003cbr\u003eQue ira dividir com a Billie Holiday a interpretação\u003cbr\u003eE Araci de Almeida ficara encarregada de dar a bênção.\u003c\/p\u003e\n\u003ch2\u003e\n\u003cbr\u003eLast Kind Words\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003eSong by: Geechie Wiley\u003cbr\u003ePerformed by Piedmont Blūz Acoustic Duo: Valerie and Benedict Turner\u003c\/p\u003e\n\u003cp\u003eThe last kind words I heard my daddy say\u003cbr\u003eLord, the last kind words I heard my daddy say\u003cbr\u003eIf I die, if I die in the German war\u003cbr\u003eI, I want you to send my body, send it to my mother, Lord\u003cbr\u003eIf I get killed, if I get killed, please don’t bury my soul\u003cbr\u003eOh, just leave me out, let the buzzards eat me whole\u003cbr\u003eWhen you see me, see me comin’, look across the rich man’s field\u003cbr\u003eAnd, if I don’t bring you flour, I will bring you bolted meal\u003cbr\u003eI went to the depot, I looked up at the stars\u003cbr\u003eI cried, that train don’t come, there’ll be some walkin’ done\u003cbr\u003eNow my mama, she told me just before she died\u003cbr\u003eLord, my precious daughter, don’t you be so wild\u003cbr\u003eWell the Mississippi River, you know it’s deep and wide\u003cbr\u003eI can stand right here, see my babe on the other side\u003cbr\u003eWhat you do to me, baby, it never gets outta me\u003cbr\u003eI may not see you ‘til I cross the deep blue sea\u003c\/p\u003e","brand":"Tropical Diaspora Records","offers":[{"title":"Default Title","offer_id":54363906572556,"sku":"TDR003","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0536\/8063\/6098\/files\/Cover_TDR003_Front_Sticker_Mockup_2000x_v1.png?v=1754468833"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0536\/8063\/6098\/collections\/feat_Collection_1200x658x_BugigangaTropical_v1.png?v=1758884262","url":"https:\/\/www.tdrgo.co\/de\/collections\/bugiganga-tropical.oembed","provider":"Tropical Diaspora Records®","version":"1.0","type":"link"}