{"title":"Digital","description":"\u003cp\u003eDigital and Streaming TDR® Artists\u003c\/p\u003e","products":[{"product_id":"fred-jorge-e-os-maiorais-remastered","title":"Fred Jorge E Os Maiorais [Remastered]","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003cstrong\u003eThe remastered version of acclaimed First Album of Fred Jorge E Os Maiorais.\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"fusion-title title fusion-title-5 fusion-title-text fusion-title-size-three\"\u003e\n\u003cp\u003eThe band Fred Jorge e os Maiorais, led by singer, DJ and vinyl record collector Fred Jorge, relaunches its first CD with Tropical Diaspora® Records in a remastered version of the acclaimed first album. With a repertoire that rescues and preserves the roots of samba soul and funk, the band studied the language of these styles and shows, through its own compositions and its history.\u003c\/p\u003e\n\u003cp\u003eThe idea for the CD started when vocalist Fred Jorge and bassist Mário Porto reactivated the musical partnership started with the recording in 1999 of the CD by the band Big Muff. The initial idea of going back to the roots of black Brazilian music turned into a great deal of research into the style. The danceable mixture of samba and soul music created by Tim Maia was the starting point for understanding the origin of the bridge between Brazilian music and North American music (Curtis Mayfield, James Brown, George Clinton, Sly Stone, etc.). From then on, the search for instruments that were used at the time began and that would give the album a sound close to the old productions. The battery used was a Ludwig 1975, donated by drummer and collector of rare batteries Laercio Junior. Fender and Gibson guitars and vintage amplifiers came from guitarist biLê and friends Ricky Furlani and Pedro Piazzi. The big and purposeful difference from the old productions is that all this equipment was captured digitally. All available technology was used sparingly to give the album a unique sound. The search for a new concept and musical language for the style came from this alchemy between the ancient and the modern.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Tropical Diaspora Records®","offers":[{"title":"Default Title","offer_id":44530941591820,"sku":"TDR036","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0536\/8063\/6098\/files\/Cover_FredJorgeMaiorais_2000x-Digital_v3.png?v=1754158564"},{"product_id":"banda-jardes-nego-vem-samba-remaster","title":"Banda Jardes (Nego Vem Sambá) [Remastered] (Digital Platforms, Bandcamp)","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003cstrong\u003eAvailable in all digital platforms and for download here.\u003cbr\u003e\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eBanda Jardes • Grilos Da Vida (Nego Vem Sambá)\u003c\/p\u003e\n\u003cdiv class=\"fusion-title title fusion-title-5 fusion-title-text fusion-title-size-three\"\u003e\n\u003cdiv class=\"fusion-title title fusion-title-6 fusion-sep-none fusion-title-center fusion-title-text fusion-title-size-one\" style=\"--awb-text-color: var(--awb-custom16); --awb-font-size: 20px;\"\u003e\n\u003cp style=\"text-align: center;\"\u003eIn memory of Reginaldo Laurindo da Silva aka Antônio Regis aka Regis Moreno\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eSão Paulo – ★ 13.06.1951 – † 06.09.2022\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fusion-text fusion-text-5\" style=\"--awb-text-color: var(--awb-custom11); --awb-text-font-family: 'Kiona-Bold'; --awb-text-font-style: normal; --awb-text-font-weight: 400;\"\u003e\n\u003ch1 style=\"text-align: center;\"\u003eWhat is Grilos Da Vida?\u003c\/h1\u003e\n\u003cp\u003e“Grilos Da Vida (Nego Vem Sambá)” by Banda Jardes – 1976 original Samba Rock from the district of Guaianases in São Paulo – Brazil.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eThere are many stories around this record and, in São Paulo, in the vinyl shops everybody knows the record which is almost impossible to find. One of the stories told by Regis himself is that someone, at that time when the band was very well known in the city, had made thousands of illegal copies of the record and as the band, the producer and Regis started to look for the responsible, the guys threw all the unsold records in the river Tietê.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eThis year I met with Regis in São Paulo to get his only copy of the record. He made me clear that the record is only on loan to Tropical Diaspora Records, and we are going to press this song very soon. The record is in very good condition and our new pressing will come out of it. So the record is now in Berlin. But before we press a new 7 inch fully dedicated to Banda Jades and Regis with this groove, the public has the chance to listen here and dance this great Samba Rock from Banda Jardes.\u003c\/p\u003e\n\u003cp\u003eA gem is gone. After a long illness (António) Regis Moreno passed away in São Paulo. Regis was one of the greatest representatives of samba-rock, the musical blend of samba, funk and rock that has come to characterize a specific time in Brazilian popular music. Having emerged from the poor black peripheries of the city, Regis could fill with his band Banda Jardes big concert halls in the 1980’s. We at Tropical Diaspora Records had the immense privilege to know Regis and his music firsthand. We published on vinyl a reissue of his massive hit “Grilos da Vida” (today sold-out). “Grilos da Vida” is a song that represents like few others the true spirit of samba-rock with its distinctive guitar take. Regis had the opportunity to enjoy with us the renaissance of his music and further collaborations were planned. Today it is no longer possible. A beautiful soul is gone. So generous that he has left us to enjoy the soundtrack of our lives; these are the Grilos da Vida.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"Tropical Diaspora Records®","offers":[{"title":"Default Title","offer_id":44559094087948,"sku":"TDR037","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0536\/8063\/6098\/files\/COVER-BandaJardes-3000x-Original_TitelOnly_v2.jpg?v=1754158493"},{"product_id":"mangata-the-road-to-the-moon","title":"MÅNGATA - The Road To The Moon","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e music from the motion picture\u003c\/p\u003e\n\u003ch1 style=\"font-family: 'Monotxt'; font-style: normal; font-weight: 400; margin: 0; font-size: 1em; --fontsize: 200; line-height: 0.45;\" class=\"title-heading-center fusion-responsive-typography-calculated\"\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003ch1 style=\"font-family: 'Monotxt'; font-style: normal; font-weight: 400; margin: 0; font-size: 1em; --fontsize: 200; line-height: 0.45;\" class=\"title-heading-center fusion-responsive-typography-calculated\"\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003ch1 style=\"--awb-text-color: #c600d1; --awb-margin-top: 5px; --awb-margin-right: 5px; --awb-margin-bottom: 5px; --awb-margin-left: 5px; --awb-font-size: 200px; text-align: center;\" class=\"fusion-title title fusion-title-1 fusion-sep-none fusion-title-center fusion-title-text fusion-title-size-one\"\u003eMÅNGATA \u003c\/h1\u003e\n\u003ch1 style=\"--awb-text-color: #c600d1; --awb-margin-top: 5px; --awb-margin-right: 5px; --awb-margin-bottom: 5px; --awb-margin-left: 5px; --awb-font-size: 200px; text-align: center;\" class=\"fusion-title title fusion-title-1 fusion-sep-none fusion-title-center fusion-title-text fusion-title-size-one\"\u003eThe Road To The Moon\u003cbr style=\"font-family: 'Monotxt'; font-style: normal; font-weight: 400; margin: 0; font-size: 1em; --fontsize: 200; line-height: 0.45;\" class=\"title-heading-center fusion-responsive-typography-calculated\"\u003e\n\u003c\/h1\u003e\n\u003cdiv style=\"align-self: center; width: 100%; margin: 20px auto 0px; text-align: center;\" class=\"fusion-separator fusion-full-width-sep\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-animationoffset=\"top-into-view\" data-animationduration=\"0.3\" data-animationtype=\"fadeInRight\" style=\"--awb-font-size: 20px; --awb-text-color: var(--awb-custom14); --awb-text-font-family: 'Kiona Regular'; --awb-text-font-style: normal; --awb-text-font-weight: 400; visibility: visible; animation-duration: 0.3s; text-align: right;\" class=\"fusion-text fusion-text-2 fusion-animated\"\u003eA MAJA COSTA Short Film\u003c\/div\u003e\n\u003cdiv data-animationoffset=\"top-into-view\" data-animationduration=\"0.3\" data-animationtype=\"fadeInRight\" style=\"--awb-font-size: 40px; --awb-line-height: 40px; --awb-text-color: var(--awb-custom14); --awb-margin-top: 1px; --awb-margin-right: 1px; --awb-margin-bottom: 1px; --awb-margin-left: 1px; --awb-text-font-family: 'Kiona-Light'; --awb-text-font-style: normal; --awb-text-font-weight: 400; visibility: visible; animation-duration: 0.3s; text-align: center;\" class=\"fusion-text fusion-text-3 fusion-animated fusion-text-no-margin\"\u003e\u003c\/div\u003e\n\u003cdiv data-animationoffset=\"top-into-view\" data-animationduration=\"0.3\" data-animationtype=\"fadeInRight\" style=\"--awb-font-size: 40px; --awb-line-height: 40px; --awb-text-color: var(--awb-custom14); --awb-margin-top: 1px; --awb-margin-right: 1px; --awb-margin-bottom: 1px; --awb-margin-left: 1px; --awb-text-font-family: 'Kiona-Light'; --awb-text-font-style: normal; --awb-text-font-weight: 400; visibility: visible; animation-duration: 0.3s; text-align: center;\" class=\"fusion-text fusion-text-3 fusion-animated fusion-text-no-margin\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003ch2 data-animationoffset=\"top-into-view\" data-animationduration=\"0.3\" data-animationtype=\"fadeInRight\" style=\"--awb-font-size: 30px; --awb-text-color: var(--awb-custom14); --awb-margin-top: 1px; --awb-margin-right: 1px; --awb-margin-bottom: 1px; --awb-margin-left: 1px; --awb-text-font-family: 'Kiona-Light'; --awb-text-font-style: normal; --awb-text-font-weight: 400; visibility: visible; animation-duration: 0.3s; text-align: center;\" class=\"fusion-text fusion-text-4 fusion-animated fusion-text-no-margin\"\u003eMusic Composed by Renato \u0026amp; Ronaldo Gama with Izzy Gordon \u0026amp; Oksaf Mandela\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cdiv style=\"align-self: center; width: 100%; margin: 0px auto; text-align: center;\" class=\"fusion-separator fusion-full-width-sep\"\u003e\n\u003cdiv style=\"--awb-height: 20px; --awb-amount: 20px; --awb-sep-color: var(--awb-color7); border-color: var(--awb-color7); border-top-width: 1px;\" class=\"fusion-separator-border sep-single sep-dotted\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-animationoffset=\"top-into-view\" data-animationduration=\"0.3\" data-animationtype=\"fadeInRight\" style=\"--awb-font-size: 20px; --awb-text-color: var(--awb-custom14); --awb-text-font-family: 'Kiona Regular'; --awb-text-font-style: normal; --awb-text-font-weight: 400; visibility: visible; animation-duration: 0.3s; text-align: center;\" class=\"fusion-text fusion-text-5 fusion-animated\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-animationoffset=\"top-into-view\" data-animationduration=\"0.3\" data-animationtype=\"fadeInRight\" style=\"--awb-font-size: 20px; --awb-text-color: var(--awb-custom14); --awb-text-font-family: 'Kiona Regular'; --awb-text-font-style: normal; --awb-text-font-weight: 400; visibility: visible; animation-duration: 0.3s; text-align: right;\" class=\"fusion-text fusion-text-5 fusion-animated\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-animationoffset=\"top-into-view\" data-animationduration=\"0.3\" data-animationtype=\"fadeInRight\" style=\"--awb-font-size: 20px; --awb-text-color: var(--awb-custom14); --awb-text-font-family: 'Kiona Regular'; --awb-text-font-style: normal; --awb-text-font-weight: 400; visibility: visible; animation-duration: 0.3s; text-align: right;\" class=\"fusion-text fusion-text-5 fusion-animated\"\u003epresented in a real new dimension in motion picture entertainment\u003cbr\u003eby Tropical Diaspora® Records\u003c\/div\u003e\n\u003cdiv data-animationoffset=\"top-into-view\" data-animationduration=\"0.3\" data-animationtype=\"fadeInRight\" style=\"--awb-font-size: 20px; --awb-text-color: var(--awb-custom14); --awb-text-font-family: 'Kiona Regular'; --awb-text-font-style: normal; --awb-text-font-weight: 400; visibility: visible; animation-duration: 0.3s; text-align: center;\" class=\"fusion-text fusion-text-5 fusion-animated\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003ch1 style=\"--awb-font-size: 30px; --awb-text-color: var(--awb-color8); --awb-text-font-family: 'Kiona Regular'; --awb-text-font-style: normal; --awb-text-font-weight: 400; text-align: center;\" class=\"fusion-text fusion-text-6\"\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003ch1 style=\"--awb-font-size: 30px; --awb-text-color: var(--awb-color8); --awb-text-font-family: 'Kiona Regular'; --awb-text-font-style: normal; --awb-text-font-weight: 400; text-align: center;\" class=\"fusion-text fusion-text-6\"\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003ch1 style=\"--awb-font-size: 30px; --awb-text-color: var(--awb-color8); --awb-text-font-family: 'Kiona Regular'; --awb-text-font-style: normal; --awb-text-font-weight: 400; text-align: center;\" class=\"fusion-text fusion-text-6\"\u003eAvailable in all Digital Platforms\u003c\/h1\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch1 style=\"--awb-font-size: 30px; --awb-text-color: var(--awb-color8); --awb-text-font-family: 'Kiona Regular'; --awb-text-font-style: normal; --awb-text-font-weight: 400; text-align: center;\" class=\"fusion-text fusion-text-6\"\u003eDirector´s Statement\u003c\/h1\u003e\n\u003cdiv class=\"fusion-text fusion-text-7\" style=\"--awb-font-size: 15px; --awb-text-color: var(--awb-color8); --awb-text-font-family: 'Kiona Regular'; --awb-text-font-style: normal; --awb-text-font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"--awb-font-size: 15px; --awb-text-color: var(--awb-color8); --awb-text-font-family: 'Kiona Regular'; --awb-text-font-style: normal; --awb-text-font-weight: 400;\"\u003e\n\u003cp style=\"text-align: justify;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: justify;\"\u003eIt is difficult to look away from the moon shining in the starry sky, but looking away is what we do as we turn toward the tragic reality of immigration to Europe. According to United Nations data, in the last seven years, more than 25.000 men, women, and children have died or gone missing in the Central Mediterranean.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: justify;\"\u003eThe “Never again” sworn in front of the aligned coffins of the 368 people who lost their lives near Lampedusa on October 3, 2013, has remained only a declaration of intent.We look at the moon, but we turn away when it comes to looking at the tragedy of those who cross the Mediterranean in search of a better life.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: justify;\"\u003eTheir basic human right to a home often goes unfulfilled and their search for a place to “feel at home” becomes an existential struggle. This is not just an African problem, or a problem of southern European countries; it is the responsibility of all of Europe.Alya comes from Africa and arrives in Europe following a dream: first a dream of her father’s and then a dream of her own. Mångata, “the road to the moon,” represents the long way to get there.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: justify;\"\u003eOn the Moon, while communication with the base is interrupted, Alya has an encounter that helps her overcome her past trauma and make sense of her loss. Planet Earth is both Alya’s home and the starting point of Mångata, not just for her, but for all of mankind—of which Alya, with her aspiration and resilience, is a bright symbol.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center; --fontsize: 33; line-height: 1.45;\" data-fontsize=\"33\" data-lineheight=\"47.85px\" class=\"fusion-responsive-typography-calculated\" data-mce-fragment=\"1\" data-mce-style=\"text-align: center; --fontsize: 33; line-height: 1.45;\"\u003e☆\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fusion-text fusion-text-8\" style=\"--awb-font-size: 15px; --awb-text-color: var(--awb-color8); --awb-text-font-family: 'Kiona Regular'; --awb-text-font-style: normal; --awb-text-font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"--awb-font-size: 15px; --awb-text-color: var(--awb-color8); --awb-text-font-family: 'Kiona Regular'; --awb-text-font-style: normal; --awb-text-font-weight: 400;\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\/\/ Brazilian Portuguese\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: justify;\"\u003eÉ difícil desviar o olhar da lua brilhando no céu estrelado, mas desviar o olhar é o que fazemos quando nos voltamos para a trágica realidade da imigração para a Europa. Segundo dados das Nações Unidas, nos últimos sete anos, mais de 25.000 homens, mulheres e crianças morreram ou desapareceram no Mediterrâneo Central.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: justify;\"\u003eO “nunca mais” jurado diante dos caixões alinhados das 368 pessoas que perderam a vida perto de Lampedusa em 3 de outubro de 2013, permaneceu apenas uma declaração de intenções. Olhamos para a lua, mas nos afastamos quando se trata de olhando para a tragédia daqueles que atravessam o Mediterrâneo em busca de uma vida melhor.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: justify;\"\u003eSeu direito humano básico a um lar muitas vezes não é cumprido e sua busca por um lugar para “se sentir em casa” torna-se uma luta existencial. Este não é apenas um problema africano, ou um problema dos países do sul da Europa; é responsabilidade de toda a Europa.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: justify;\"\u003eAlya vem da África e chega à Europa seguindo um sonho: primeiro um sonho do pai e depois um sonho dela. Mångata, “o caminho para a lua”, representa o longo caminho para chegar lá. Na Lua, enquanto a comunicação com a base é interrompida, Alya tem um encontro que a ajuda a superar seu trauma passado e dar sentido a sua perda. O planeta Terra é o lar de Alya e o ponto de partida de Mångata, não apenas para ela, mas para toda a humanidade – da qual Alya, com sua aspiração e resiliência, é um símbolo brilhante.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1 class=\"fusion-responsive-typography-calculated\" data-lineheight=\"47.85px\" data-fontsize=\"33\" style=\"text-align: center; --fontsize: 33; line-height: 1.45;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: center; --fontsize: 33; line-height: 1.45;\"\u003e☆\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\" data-mce-style=\"text-align: center;\"\u003e\u003cstrong data-redactor-tag=\"strong\" data-mce-fragment=\"1\"\u003eMusic From The Motion Picture – starring STEFANY FRUZZETTI, AYO ALOBA and for the first time on screen AFNAN EHORAN.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" data-mce-style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\" data-mce-style=\"text-align: center;\"\u003e\u003cstrong data-redactor-tag=\"strong\" data-mce-fragment=\"1\"\u003eTracks\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cdiv style=\"text-align: justify;\" class=\"tralbumData tralbum-about\"\u003e\n\u003cdiv data-offset-key=\"1e6m3-0-0\" style=\"text-align: center;\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e“Olokum” • \u003c\/strong\u003eSenhora Do Mar \/ Lady Of The Sea (Initial Scene)\u003cbr data-mce-fragment=\"1\"\u003ePerformed by Renato Gama (Guitar), Ronaldo Gama (Kalimba), Oksaf Mandela (Voice)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e“Okun” • \u003c\/strong\u003eCordão \/ Rope (Moon Scene)\u003cbr data-mce-fragment=\"1\"\u003ePerformed by Oksaf Mandela (Voice)\u003c\/p\u003e\n\u003cdiv style=\"--awb-text-font-family: 'Kiona Regular'; --awb-text-font-style: normal; --awb-text-font-weight: 400;\" class=\"fusion-text fusion-text-14\"\u003e\n\u003cp\u003e\u003cstrong\u003e“Nwa”\u003c\/strong\u003e • Olhando \/ Looking (Final Scene)\u003cbr\u003ePerformed by Izzy Gordon (Voice), Ronaldo Gama (Kalimba)\u003c\/p\u003e\n\u003c\/div\u003e\n  ☆\u003cbr\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"1e6m3-0-0\" style=\"text-align: center;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-offset-key=\"1e6m3-0-0\" style=\"text-align: center;\"\u003e\n\u003cdiv style=\"--awb-text-color: #000000; --awb-text-font-family: 'Kiona Regular'; --awb-text-font-style: normal; --awb-text-font-weight: 400;\" class=\"fusion-text fusion-text-15 fusion-text-no-margin\"\u003e\n\u003cem\u003eMusic Composed and Conducted by Renato and Ronaldo Gama\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e All Songs Written and Arranged by Ronaldo and Renato Gama\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e All Songs Recorded at Estúdio Pele Preta, Vila Nhocuné, São Paulo, Brazil\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e Executive Production Tropical Diaspora® RecordsSound Track Available on Vinyl and Tape Cassette by Tropical Diaspora® Records\u003c\/em\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Tropical Diaspora Records®","offers":[{"title":"Default Title","offer_id":44559377465612,"sku":"TDR038","price":3.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0536\/8063\/6098\/files\/TDR019-Cover-Front-2000x-v1_abc24221-e472-46c6-94f4-03e84b4a235a.jpg?v=1754166952"},{"product_id":"sereia-da-mare-by-joanah-flor-tdr024-digital-platforms-bandcamp","title":"Sereia Da Maré by Joanah Flor, TDR024 (Digital Platforms, Bandcamp)","description":"\u003cdiv style=\"--awb-margin-top: 20px; --awb-margin-bottom: 20px;\" class=\"fusion-title title fusion-title-5 fusion-title-text fusion-title-size-three\"\u003e\n\u003cp style=\"text-align: center;\"\u003eThe New Single by Joanah Flor\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eSereia Da Maré \/ Tide Mermaid\u003c\/p\u003e\n\u003cspan class=\"awb-title-spacer\"\u003e\u003c\/span\u003e\n\u003cdiv class=\"title-sep-container\"\u003e\n\u003cdiv style=\"border-color: #e0dede;\" class=\"title-sep sep-double sep-solid\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"--awb-text-font-family: 'Stinger WideTrial Regular'; --awb-text-font-style: normal; --awb-text-font-weight: 400;\" class=\"fusion-text fusion-text-1\"\u003e\n\u003cp\u003eAt Tropical Diaspora® Records we are committed to create a narrative, musical and otherwise, about the people that crossed the Atlantic from Africa to the “Americas” and gave rise to different cultural expressions that reflect both the horror and hope of that experience.\u003c\/p\u003e\n\u003cp\u003eIn creating such a narrative we are however aware that the tools we use to communicate our idea and mission are shaped by the historical narrative of the imperialist powers; the hegemonic role that, for example, language play: French, English and Portuguese in Africa; Spanish, Portuguese and English in the “Americas“.\u003c\/p\u003e\n\u003cp\u003eWe are even to blame for using English as lingua franca for our purposes. But, is it silence a better option? We won’t be silent. We want to speak; we believe that we have the right to speak and will use whatever means we have at our disposal in order to open up a communicative interface that is respectful of the history and legacy of the communities whose experiences, struggles.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e Credits\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLyrics, Voice and Music - Joanah Flor\u003cbr\u003ePercussion - Toca Ogan\u003cbr\u003eDrums - Henrique Falcão\u003cbr\u003eBass - Toinho Japa\u003cbr\u003eGuitar - Notlim Santiago\u003cbr\u003eTrumpet – Márcio Oliveira\u003c\/p\u003e\n\u003cp\u003eMusica Production – Lindenberg Oliveira\u003cbr\u003eExecutive Production – Renata Paton \u0026amp; Tropical Diaspora® Records\u003cbr\u003ePhoto – Luana Rocha\u003cbr\u003eGraphic Design Cover Art – Noelle Marão\u003cbr\u003eRecorded at Estúdio Maruim Records\u003cbr\u003eMastered at Estúdio Massapê\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cbr\u003e","brand":"Tropical Diaspora Records®","offers":[{"title":"Default Title","offer_id":44984188829964,"sku":"TDR024","price":3.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0536\/8063\/6098\/files\/Cover_TDR024-3000x_v1.jpg?v=1754158344"},{"product_id":"ska-maria-pastora-as-margens-do-rio-doce","title":"Ska Maria Pastora - As Margens Do Rio Doce [Remastered] (high-quality download)","description":"\u003cstrong data-redactor-tag=\"strong\" data-mce-fragment=\"1\"\u003e\u003cspan data-redactor-style=\"font-size: 16px;\" data-redactor-tag=\"span\" data-verified=\"redactor\" rel=\"font-size: 16px;\" style=\"font-size: 16px;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 16px;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\n\u003ch2 class=\"fusion-responsive-typography-calculated\" data-lineheight=\"27px\" data-fontsize=\"18\" style=\"--fontsize: 18; line-height: 1.5; --minfontsize: 18;\" data-mce-fragment=\"1\" data-mce-style=\"--fontsize: 18; line-height: 1.5; --minfontsize: 18;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-redactor-style=\"font-size: 16px;\" data-redactor-tag=\"span\" data-verified=\"redactor\" rel=\"font-size: 16px;\" style=\"font-size: 16px;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 16px;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch1 class=\"hd\" style=\"text-align: center;\"\u003e\u003cspan class=\"buyItemPackageTitle primaryText you-own-this\"\u003eDigital Album\u003c\/span\u003e\u003c\/h1\u003e\n\u003ch1 class=\"digitaldescription secondaryText\" style=\"text-align: center;\"\u003eStreaming + Download\u003c\/h1\u003e\n\u003ch1 class=\"bd\" style=\"text-align: center;\"\u003eIncludes high-quality download in WAV\u003c\/h1\u003e\n\u003cstrong data-redactor-tag=\"strong\" data-mce-fragment=\"1\"\u003e  \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\n\u003cdiv class=\"\" data-block=\"true\" data-editor=\"cibfg\" data-offset-key=\"1e6m3-0-0\" style=\"text-align: left;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: left;\"\u003e\n\u003ch3 style=\"text-align: center;\" data-mce-style=\"text-align: center;\" data-mce-fragment=\"1\"\u003eFinal Cut Remastered to be released May.24\u003cstrong data-redactor-tag=\"strong\" data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" style=\"text-align: justify;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: justify;\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cdiv style=\"--awb-font-size: 40px; --awb-text-color: var(--awb-custom_color_1); --awb-text-font-family: 'Moabhoers Bold'; --awb-text-font-style: normal; --awb-text-font-weight: 400;\" class=\"fusion-text fusion-text-1\" data-mce-fragment=\"1\" data-mce-style=\"--awb-font-size: 40px; --awb-text-color: var(--awb-custom_color_1); --awb-text-font-family: 'Moabhoers Bold'; --awb-text-font-style: normal; --awb-text-font-weight: 400;\"\u003e\n\u003cp style=\"text-align: center;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: center;\"\u003eTropical Diaspora Music from Brazil and Jamaica\u003cbr data-mce-fragment=\"1\"\u003e Two Afro Diasporas separated by geography\u003cbr data-mce-fragment=\"1\"\u003e united by resistance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"align-self: center; width: 100%; margin: 15px auto 15px auto;\" class=\"fusion-separator fusion-full-width-sep\" data-mce-fragment=\"1\" data-mce-style=\"align-self: center; width: 100%; margin: 15px auto 15px auto;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"--awb-font-size: 25px; --awb-text-color: var(--awb-custom_color_1); --awb-text-font-family: 'Moabhoers'; --awb-text-font-style: normal; --awb-text-font-weight: 400;\" class=\"fusion-text fusion-text-2\" data-mce-fragment=\"1\" data-mce-style=\"--awb-font-size: 25px; --awb-text-color: var(--awb-custom_color_1); --awb-text-font-family: 'Moabhoers'; --awb-text-font-style: normal; --awb-text-font-weight: 400;\"\u003e\n\u003cp style=\"text-align: center;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: center;\"\u003eFrevo \u0026amp; Ska the sisters in resistance and class struggle.\u003c\/p\u003e\nYou may have heard about it. Since 2012 Frevo has been recognized by UNESCO as Intangible Cultural Heritage. The Frevo of Pernambuco has then got the acknowledgment it deserved, and it came from important international institutions. Thus, it can be celebrated as the incredible legacy that it is. But sorry to disappoint you. Frevo has been recognized for a long time by the people who have contributed to its creation and practice. The UNESCO seal only means the monetization by the elites of Paris, London, Berlin, New York… of a cultural practice that belongs to no one but to the people who nurture it.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOriginating in the carnival parades by military bands, the name Frevo means to boil as the frenzied dance makes you boil. But the dance takes from Capoeira the movement as weapon and disguise, because the ones who were boiling in the streets of Pernambuco’s carnival were the unruly masses that come and go without any recognizable direction. There is virtually no popular dance in the world that is not an expression of struggle, a way of carrying out the struggle.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSka Maria Pastora picks up on the tradition of the Frevo parades and mix it with a walking bass line accented with off beat rhythms, that is, Ska. Frevo and Ska. Ska Maria Pastora shows like no other what means to revisit Ska using Frevo’s harmonies to boil Jamaican Ska with carnival.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJamaica and Brazil fused in a unique blend. The Brazilian Northeast and the Caribbean, two places that witnessed the first revolutions in modern history: the revolutions of the Maroons. Often described as groups of runaway slaves they were authentic people’s revolutions as in the case of the great Zumbi dos Palmares, the quilombola leader who helped create an imaginary of resistance and struggle that continues today. One of the high points of the black revolutions in the territories now known as the Americas was the revolution in the French colony of Saint-Domingue led by Toussaint Louverture that gave rise to the independent state of Haiti, a revolution that shook the foundations of the French metropolis Paris. Never forget these stories when listening to the brass section of Ska Maria Pastora: the marching of the Maroons.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn the conflicts to control the Atlantic slave trade and the profitable sugar plantations used as extermination camps of the black population, the Dutch West India Company arose, which enlightens the history of Pernambuco until the Portuguese elites of Brazil reconquered the enclave. The Dutch burned Olinda, the capital of New Lusitania. But before that, there was the plundering of Recife and Olinda by English privateers and traders. UNESCO declared the colonial heritage of Olinda a World Heritage Site in 1982. A site of shame. Spanish, Portuguese, English and Dutch all were involved in claiming the land that once belonged to the Tupi-Guarani. But sugar was too sweet a commodity for the colonialists’ pockets to let the profits from the trade go away. The modern history of Northeast Brazil begins here, with extermination camps, mass genocide and imperial powers fighting each other for control of the sugar production that first invaded European aristocratic society and later served as the main source of energy for the impoverished working classes that populated the factories of the industrial revolution that would further impoverish the Global South.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePrimitive accumulation began in places like Pernambuco and styles like Frevo mean the creative resistance of the populations in their fight for sovereignty. As it is with Ska, which grew as a combination of Caribbean Mento and Calypso with Afro-American Jazz and New Orleans rhythms. Later, Ska developed into Reggae, another Intangible Culture Heritage named by the neocolonialists of UNESCO. But Reggae and Ska do not need recognition by any elitist international body, since they have become true international rhythms of global south peoples. It could have happened with Frevo too, but the British Empire has always been keener on exporting its colonial goods like it exploited West-Indian workforce to fuel its industrial complex in Great Britain. What they did not see coming was the alliance between emigrants from the colonies and British working-class kids that gave birth to the skinhead subculture against racial prejudice.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe destinies of the peoples of the Global South intersect in rhythms such as Ska and Frevo, which become anthems of true internationalism. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cdiv style=\"text-align: justify;\" class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\" data-mce-style=\"text-align: justify;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: justify;\" class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\" data-mce-style=\"text-align: justify;\"\u003eEdited by Dr.Sócrates\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: justify;\" class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\" data-mce-style=\"text-align: justify;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: justify;\" class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\" data-mce-style=\"text-align: justify;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: justify;\" class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\" data-mce-style=\"text-align: justify;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"--awb-font-size: 50px; --awb-text-color: var(--awb-custom_color_1); --awb-margin-top: 1px; --awb-margin-right: 1px; --awb-margin-bottom: 1px; --awb-margin-left: 1px; --awb-text-font-family: 'Moabhoers'; --awb-text-font-style: normal; --awb-text-font-weight: 400;\" class=\"fusion-text fusion-text-3 fusion-text-no-margin\" data-mce-fragment=\"1\" data-mce-style=\"--awb-font-size: 50px; --awb-text-color: var(--awb-custom_color_1); --awb-margin-top: 1px; --awb-margin-right: 1px; --awb-margin-bottom: 1px; --awb-margin-left: 1px; --awb-text-font-family: 'Moabhoers'; --awb-text-font-style: normal; --awb-text-font-weight: 400;\"\u003e\n\u003cp style=\"text-align: center;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: center;\"\u003eMusic by Deco Trombone\u003cbr data-mce-fragment=\"1\"\u003e Arranged by Ska Maria Pastora\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"--awb-font-size: 30px; --awb-text-color: var(--awb-custom_color_1); --awb-margin-top: 1px; --awb-margin-right: 1px; --awb-margin-bottom: 1px; --awb-margin-left: 1px; --awb-text-font-family: 'Moabhoers'; --awb-text-font-style: normal; --awb-text-font-weight: 400;\" class=\"fusion-text fusion-text-4 fusion-text-no-margin\" data-mce-fragment=\"1\" data-mce-style=\"--awb-font-size: 30px; --awb-text-color: var(--awb-custom_color_1); --awb-margin-top: 1px; --awb-margin-right: 1px; --awb-margin-bottom: 1px; --awb-margin-left: 1px; --awb-text-font-family: 'Moabhoers'; --awb-text-font-style: normal; --awb-text-font-weight: 400;\"\u003e\n\u003cp style=\"text-align: center;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: center;\"\u003eRemastered and Reedited for Vinyl and Cassette\u003cbr data-mce-fragment=\"1\"\u003e by Tropical Diaspora® Records\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" style=\"text-align: left;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: left;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" style=\"text-align: left;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: left;\"\u003e\n\u003ch5 data-mce-fragment=\"1\"\u003eDisclaimer: The images shown are for illustration and mock-up purposes only and may not be an exact representation of the product.\u003c\/h5\u003e\n\u003c\/div\u003e","brand":"Tropical Diaspora Records®","offers":[{"title":"Default Title","offer_id":44988938879244,"sku":"TDR042","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0536\/8063\/6098\/files\/Cover_TDR034_Front_2000x_v2.jpg?v=1754158308"},{"product_id":"deixa-ela-by-joanah-flor-tdr025-digital-platforms-bandcamp","title":"Deixa Ela by Joanah Flor, TDR025 (Digital Platforms, Bandcamp)","description":"\u003cdiv style=\"--awb-margin-top: 20px; --awb-margin-bottom: 20px;\" class=\"fusion-title title fusion-title-5 fusion-title-text fusion-title-size-three\"\u003e\n\u003cp style=\"text-align: center;\"\u003eThe Single by Joanah Flor\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eDeixa Ela \/ Leave Her\u003cbr\u003e\u003c\/p\u003e\n\u003cspan class=\"awb-title-spacer\"\u003e\u003c\/span\u003e\n\u003cdiv class=\"title-sep-container\"\u003e\n\u003cdiv style=\"border-color: #e0dede;\" class=\"title-sep sep-double sep-solid\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"--awb-text-font-family: 'Stinger WideTrial Regular'; --awb-text-font-style: normal; --awb-text-font-weight: 400;\" class=\"fusion-text fusion-text-1\"\u003e\n\u003cp\u003eAt Tropical Diaspora® Records we are committed to create a narrative, musical and otherwise, about the people that crossed the Atlantic from Africa to the “Americas” and gave rise to different cultural expressions that reflect both the horror and hope of that experience.\u003c\/p\u003e\n\u003cp\u003eIn creating such a narrative we are however aware that the tools we use to communicate our idea and mission are shaped by the historical narrative of the imperialist powers; the hegemonic role that, for example, language play: French, English and Portuguese in Africa; Spanish, Portuguese and English in the “Americas“.\u003c\/p\u003e\n\u003cp\u003eWe are even to blame for using English as lingua franca for our purposes. But, is it silence a better option? We won’t be silent. We want to speak; we believe that we have the right to speak and will use whatever means we have at our disposal in order to open up a communicative interface that is respectful of the history and legacy of the communities whose experiences, struggles.\u003c\/p\u003e\n\u003cdiv style=\"--awb-margin-top: 20px; --awb-margin-bottom: 20px;\" class=\"fusion-title title fusion-title-5 fusion-title-text fusion-title-size-three\"\u003e\n\u003cp style=\"text-align: center;\"\u003eDeixa Ela by Joanah Flor\u003c\/p\u003e\n\u003cspan class=\"awb-title-spacer\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"--awb-text-font-family: 'Kiona Regular'; --awb-text-font-style: normal; --awb-text-font-weight: 400;\" class=\"fusion-text fusion-text-1\"\u003e\n\u003cp\u003eSingle by Joanah Flor singer and songwriter from Olinda, PE, Brazil\u003cbr\u003e Manifesto video of the single DEIXA ELA recorded on the streets of the City of Recife on March 8 and with images made on March 14 (the same day of Marielle Franco’s murder) on top of the Recife City Hall Building.\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"--awb-margin-top: 20px; --awb-margin-bottom: 20px;\" class=\"fusion-title title fusion-title-8 fusion-title-text fusion-title-size-three\"\u003e\n\u003cp style=\"text-align: center;\"\u003eCredits\u003c\/p\u003e\n\u003cspan class=\"awb-title-spacer\"\u003e\u003c\/span\u003e\n\u003cdiv class=\"title-sep-container\"\u003e\n\u003cdiv style=\"border-color: #e0dede;\" class=\"title-sep sep-double sep-solid\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"--awb-font-size: 15px; --awb-text-font-family: 'Kiona Regular'; --awb-text-font-style: normal; --awb-text-font-weight: 400;\" class=\"fusion-text fusion-text-2\"\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cp\u003ereleased April 26, 2020\u003cbr\u003e Directed, Produced, Script , Art Direction: Joanah Flor\u003cbr\u003e Production assistant: Clara Luna e Noelle Marão\u003cbr\u003e Director of Photography and editing: Marcus Paiva \/ Guarany Films\u003cbr\u003e Photos: Suzanny Carvalho\u003cbr\u003e Custume: Joana Lima e Joanah Flor\u003cbr\u003e Make up: Clara Luna\u003c\/p\u003e\n\u003cp\u003eParticipants:\u003c\/p\u003e\n\u003cp\u003ePolyana Fernandes\u003cbr\u003e Clara Luna\u003cbr\u003e Marina Flor\u003cbr\u003e Joana Lima\u003cbr\u003e Mirtis Ferreira\u003cbr\u003e Edicléa Santos\u003cbr\u003e Joana Mousinha\u003cbr\u003e Fabiola Mendonça\u003cbr\u003e Arianne Vitória\u003cbr\u003e Elorrana Carvalho\u003cbr\u003e Luana Freitas\u003cbr\u003e Isabela Silva\u003cbr\u003e Miriam Lopes\u003cbr\u003e Suzany Kelly\u003cbr\u003e Noelle Marão e Olívia\u003cbr\u003e Maximus\u003cbr\u003e Credits\u003c\/p\u003e\n\u003cp\u003eRecorded at Studio Dez. 2017\u003cbr\u003e Production e Bass – Bruno Lopes\u003cbr\u003e Guitar – Guilherme Eira\u003cbr\u003e Bandolim – Paulo Bandolim\u003cbr\u003e Sheik Balde – Paguah Percur\u003cbr\u003e Congas – Rafael Peixoto\u003cbr\u003e Alfaias – Manuel\u003c\/p\u003e\n\u003cp\u003eRecording, editing and mixing: Paulo Umbelino\u003cbr\u003e Mastering – Pablo Lopes\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e","brand":"Tropical Diaspora Records®","offers":[{"title":"Default Title","offer_id":44989055598860,"sku":"TDR025","price":3.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0536\/8063\/6098\/files\/DEIXAELA_COVER_3000x_72x_Front_v1.jpg?v=1754158142"},{"product_id":"horoya-by-horoya-the-first-album","title":"Höröyá by Höröyá the First Album [Digital]","description":"\u003ch1 class=\"hd\" style=\"text-align: center;\"\u003e\n\u003cspan class=\"buyItemPackageTitle primaryText you-own-this\"\u003eDigital Album + \u003c\/span\u003eStreaming + Download\u003c\/h1\u003e\n\u003ch1 class=\"bd\" style=\"text-align: center;\"\u003eIncludes high-quality download in WAV\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong data-redactor-tag=\"strong\" data-mce-fragment=\"1\"\u003e  \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch1 class=\"fusion-title title fusion-title-6 fusion-sep-none fusion-title-center fusion-title-text fusion-title-size-one\" style=\"--awb-text-color: var(--awb-custom14); --awb-margin-top: 1px; --awb-margin-right: 1px; --awb-margin-bottom: 1px; --awb-margin-left: 1px; --awb-font-size: 50px; text-align: center;\"\u003eGrupo Höröyá´s First Album\u003c\/h1\u003e\n\u003cdiv class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center; width: 100%; margin: 10px auto 30px auto;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"fusion-text fusion-text-1\" style=\"--awb-font-size: 30px; --awb-text-color: var(--awb-custom14); --awb-text-font-family: 'Alpaca'; --awb-text-font-style: normal; --awb-text-font-weight: 400;\"\u003e\n\u003cp\u003eThe band based in São Paulo, Brazil is formed by Brazilian and West African musicians, connecting different cultures and establishing a dialogue between Brazil and the African continent. André Ricardo, multi instrumentalist, is the creator of the group and the conception of the musicality. Behind Höröya’s musical force is a powerful mix of percussion instruments from different cultures, such as sabar, atabaque, \u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003edjembe, cuica and dunduns. \u003c\/span\u003eThey share space with instruments of African Griots, including balafon and ngoni, along with guitars, bass, trumpet and\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003e saxophones. \u003c\/span\u003e\u003c\/span\u003eHöröyá’s music creates a permanent contact between different traditions, while keeping their essence. Through music, Höröyá reinterprets in a new format the origins and influences of the African and Afro-Brazilian cultures.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAfrobeat was in vogue some years ago. Everyone was looking at Africa for inspiration especially in the music and words of Fela Kuti, the great Nigerian musician who fathered Afrobeat from West Africa’s Highlife and the Afro-American funk that he encountered after being in contact with the Black Panthers in the US. In the West, the independent music scene was in crisis, and Afrobeat seemed to offer a good opportunity to redeem Western musicians who, before an empty and depoliticized present, thought that ‘becoming Africans’ could gave them a surplus much needed in the industry. The great drummer and composer of Africa ’70, Tony Allen began touring around, appearing in every festival in the West, and collaborating in every new record made. Some bands began to include musicians from the African diaspora who were used to legitimize the bands as a colorful extra and helped to authenticate rhythms and lyrics. Afrobeat was everywhere. It came from the West and reclaimed some glorious past lost in the ‘darkness’ of African history. In countries like Brazil, but also in the US, Afrobeat served for the (white) elites to discovered the African heritage without having to feel uncomfortable about it. It is a very strange thing if we consider that Brazil has the second largest black population in the world. Somehow, in a twisted rework of the Hegelian Master-Slave dialectic addressed by Frantz Fanon, the West acknowledged so its dependence on the African musical tradition without acknowledging Africa’s independence from its world view.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.tdrgo.co\/tdr12\"\u003eExcerpt from Gri Gri Bá edited by Dj Dr.Sócrates\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" style=\"text-align: left;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: left;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" style=\"text-align: left;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: left;\"\u003e\n\u003ch5 data-mce-fragment=\"1\"\u003eDisclaimer: The images shown are for illustration and mock-up purposes only and may not be an exact representation of the product.\u003c\/h5\u003e\n\u003c\/div\u003e","brand":"Tropical Diaspora Records®","offers":[{"title":"Default Title","offer_id":45538374189324,"sku":"TDR059","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0536\/8063\/6098\/files\/Cover_TDR059_Horoya_Front_2000x-Digital_v2.jpg?v=1757211359"},{"product_id":"pan-bras-afree-ke-vol-1-by-horoya-digital","title":"Pan Bras’Afree’Ke Vol.1 by HÖRÖYÁ [Digital]","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\" style=\"--fontsize: 18; line-height: 1.5; --minfontsize: 18;\" data-fontsize=\"18\" data-lineheight=\"27px\" class=\"fusion-responsive-typography-calculated\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 16px;\" rel=\"font-size: 16px;\" data-verified=\"redactor\" data-redactor-tag=\"span\" data-redactor-style=\"font-size: 16px;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch1 style=\"text-align: center;\" class=\"hd\"\u003e\u003cspan class=\"buyItemPackageTitle primaryText you-own-this\"\u003eDigital Album\u003c\/span\u003e\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\" class=\"digitaldescription secondaryText\"\u003eStreaming + Download\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\" class=\"bd\"\u003eIncludes high-quality download in WAV\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\" data-redactor-tag=\"strong\"\u003e  \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch1 style=\"--awb-text-color: var(--awb-custom14); --awb-margin-top: 1px; --awb-margin-right: 1px; --awb-margin-bottom: 1px; --awb-margin-left: 1px; --awb-font-size: 50px; text-align: center;\" class=\"fusion-title title fusion-title-7 fusion-sep-none fusion-title-center fusion-title-text fusion-title-size-one\"\u003ePan Bras’Afree’Ke Vol.1\u003c\/h1\u003e\n\u003ch2 style=\"--awb-text-color: var(--awb-custom14); --awb-margin-top: 1px; --awb-margin-right: 1px; --awb-margin-bottom: 1px; --awb-margin-left: 1px; --awb-font-size: 50px; text-align: center;\" class=\"fusion-title title fusion-title-7 fusion-sep-none fusion-title-center fusion-title-text fusion-title-size-one\"\u003eHöröyá´s Second Album\u003c\/h2\u003e\n\u003ch2 style=\"text-align: center;\"\u003eBrasil \u0026gt; Mali \u0026gt; Guiné \u0026gt; Senegal \u0026gt; Burkina Faso\u003c\/h2\u003e\n\u003cdiv style=\"--awb-font-size: 30px; --awb-text-color: var(--awb-custom14); --awb-text-font-family: 'Alpaca'; --awb-text-font-style: normal; --awb-text-font-weight: 400;\" class=\"fusion-text fusion-text-1\"\u003e\n\u003cp\u003eThe group Höröyá releases its second album, Pan Bras’Afree’Ke Vol.1, with tracks that were recorded and produced in São Paulo, Bamako (Mali) and Bobo-Dioulasso (Burkina Faso), in West Africa. The album’s concept is the Pan African movement, which, including Brazil, it also unites Guinea, Mali, Senegal and Burkina Faso. Under the command of André “Piruka” and co-produced by the great maestro Cheick Tidiane Seck, one of the great names in music from Mali and the African continent, the songs also feature the participation of other great local musicians, such as Petit Adama Diarra and Barou Kouyate, who add different timbres to the tracks, with balafon, tama, kamele ngoni, djeli ngoni and the maestro’s famous keyboards. Following Höröyá’s musical proposal, creating “possible and new traditions” that, with a basis, propose new rhythms and paths for musicalities of black, African and diaspora matrices. The new tracks bring together touches of Candomblé and griot melodies, with pungent rhythms that combine funk and jazz with the language already known by Cheick Tidiane Seck. The tracks also feature the participation of Senegalese musicians Moustapha Dieng, Maguette Mabye and Karbala Sene and the Guinean Bangaly Konate. The album also features the voices of the yalorixá Genilce de Ogum, and by Naruna Costa, actress and member of the group Clarianas, which performs also part of the co-production of the album.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAfrobeat was in vogue some years ago. Everyone was looking at Africa for inspiration especially in the music and words of Fela Kuti, the great Nigerian musician who fathered Afrobeat from West Africa’s Highlife and the Afro-American funk that he encountered after being in contact with the Black Panthers in the US. In the West, the independent music scene was in crisis, and Afrobeat seemed to offer a good opportunity to redeem Western musicians who, before an empty and depoliticized present, thought that ‘becoming Africans’ could gave them a surplus much needed in the industry. The great drummer and composer of Africa ’70, Tony Allen began touring around, appearing in every festival in the West, and collaborating in every new record made. Some bands began to include musicians from the African diaspora who were used to legitimize the bands as a colorful extra and helped to authenticate rhythms and lyrics. Afrobeat was everywhere. It came from the West and reclaimed some glorious past lost in the ‘darkness’ of African history. In countries like Brazil, but also in the US, Afrobeat served for the (white) elites to discovered the African heritage without having to feel uncomfortable about it. It is a very strange thing if we consider that Brazil has the second largest black population in the world. Somehow, in a twisted rework of the Hegelian Master-Slave dialectic addressed by Frantz Fanon, the West acknowledged so its dependence on the African musical tradition without acknowledging Africa’s independence from its world view.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.tdrgo.co\/tdr12\"\u003eExcerpt from Gri Gri Bá edited by Dj Dr.Sócrates\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\" class=\"tralbumData tralbum-about\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\" class=\"tralbumData tralbum-about\"\u003e\n\u003ch5 data-mce-fragment=\"1\"\u003eDisclaimer: The images shown are for illustration and mock-up purposes only and may not be an exact representation of the product.\u003c\/h5\u003e\n\u003c\/div\u003e","brand":"Tropical Diaspora Records®","offers":[{"title":"Default Title","offer_id":45538394341644,"sku":"TDR060","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0536\/8063\/6098\/files\/Cover_TDR060_Horoya_Front_2000x-Digital_v2.jpg?v=1757211352"},{"product_id":"pan-bras-afree-ke-vol-2-by-horoya-digital","title":"Pan Bras’Afree’Ke Vol.2 by HÖRÖYÁ [Digital]","description":"\u003ch1 class=\"hd\" style=\"text-align: center;\"\u003e\u003cspan class=\"buyItemPackageTitle primaryText you-own-this\"\u003eDigital Album\u003c\/span\u003e\u003c\/h1\u003e\n\u003ch1 class=\"digitaldescription secondaryText\" style=\"text-align: center;\"\u003eStreaming + Download\u003c\/h1\u003e\n\u003ch1 class=\"bd\" style=\"text-align: center;\"\u003eIncludes high-quality download in WAV\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong data-redactor-tag=\"strong\" data-mce-fragment=\"1\"\u003e  \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch1 class=\"fusion-title title fusion-title-7 fusion-sep-none fusion-title-center fusion-title-text fusion-title-size-one\" style=\"--awb-text-color: var(--awb-custom14); --awb-margin-top: 1px; --awb-margin-right: 1px; --awb-margin-bottom: 1px; --awb-margin-left: 1px; --awb-font-size: 50px; text-align: center;\"\u003ePan Bras’Afree’Ke Vol.2\u003c\/h1\u003e\n\u003ch2 class=\"fusion-title title fusion-title-7 fusion-sep-none fusion-title-center fusion-title-text fusion-title-size-one\" style=\"--awb-text-color: var(--awb-custom14); --awb-margin-top: 1px; --awb-margin-right: 1px; --awb-margin-bottom: 1px; --awb-margin-left: 1px; --awb-font-size: 50px; text-align: center;\"\u003eHöröyá´s Thrird Album\u003c\/h2\u003e\n\u003ch2 style=\"text-align: center;\"\u003eBrasil \u0026gt; Mali \u0026gt; Guiné \u0026gt; Senegal \u0026gt; Burkina Faso\u003c\/h2\u003e\n\u003cdiv class=\"fusion-text fusion-text-1\" style=\"--awb-font-size: 30px; --awb-text-color: var(--awb-custom14); --awb-text-font-family: 'Alpaca'; --awb-text-font-style: normal; --awb-text-font-weight: 400;\"\u003e\n\u003cp\u003eThe group Höröyá releases its second album, Pan Bras’Afree’Ke Vol.1, with tracks that were recorded and produced in São Paulo, Bamako (Mali) and Bobo-Dioulasso (Burkina Faso), in West Africa. The album’s concept is the Pan African movement, which, including Brazil, it also unites Guinea, Mali, Senegal and Burkina Faso. Under the command of André “Piruka” and co-produced by the great maestro Cheick Tidiane Seck, one of the great names in music from Mali and the African continent, the songs also feature the participation of other great local musicians, such as Petit Adama Diarra and Barou Kouyate, who add different timbres to the tracks, with balafon, tama, kamele ngoni, djeli ngoni and the maestro’s famous keyboards. Following Höröyá’s musical proposal, creating “possible and new traditions” that, with a basis, propose new rhythms and paths for musicalities of black, African and diaspora matrices. The new tracks bring together touches of Candomblé and griot melodies, with pungent rhythms that combine funk and jazz with the language already known by Cheick Tidiane Seck. The tracks also feature the participation of Senegalese musicians Moustapha Dieng, Maguette Mabye and Karbala Sene and the Guinean Bangaly Konate. The album also features the voices of the yalorixá Genilce de Ogum, and by Naruna Costa, actress and member of the group Clarianas, which performs also part of the co-production of the album.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAfrobeat was in vogue some years ago. Everyone was looking at Africa for inspiration especially in the music and words of Fela Kuti, the great Nigerian musician who fathered Afrobeat from West Africa’s Highlife and the Afro-American funk that he encountered after being in contact with the Black Panthers in the US. In the West, the independent music scene was in crisis, and Afrobeat seemed to offer a good opportunity to redeem Western musicians who, before an empty and depoliticized present, thought that ‘becoming Africans’ could gave them a surplus much needed in the industry. The great drummer and composer of Africa ’70, Tony Allen began touring around, appearing in every festival in the West, and collaborating in every new record made. Some bands began to include musicians from the African diaspora who were used to legitimize the bands as a colorful extra and helped to authenticate rhythms and lyrics. Afrobeat was everywhere. It came from the West and reclaimed some glorious past lost in the ‘darkness’ of African history. In countries like Brazil, but also in the US, Afrobeat served for the (white) elites to discovered the African heritage without having to feel uncomfortable about it. It is a very strange thing if we consider that Brazil has the second largest black population in the world. Somehow, in a twisted rework of the Hegelian Master-Slave dialectic addressed by Frantz Fanon, the West acknowledged so its dependence on the African musical tradition without acknowledging Africa’s independence from its world view.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.tdrgo.co\/tdr12\"\u003eExcerpt from Gri Gri Bá edited by Dj Dr.Sócrates\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\n\u003ch5 data-mce-fragment=\"1\"\u003eDisclaimer: The images shown are for illustration and mock-up purposes only and may not be an exact representation of the product.\u003c\/h5\u003e\n\u003c\/div\u003e","brand":"Tropical Diaspora Records®","offers":[{"title":"Default Title","offer_id":45538420293900,"sku":"TDR061","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0536\/8063\/6098\/files\/Cover_TDR061_Horoya_Front_3000x-Digital_v2.png?v=1757211345"},{"product_id":"gri-gri-ba-by-horoya-digital","title":"GRI GRI BA by HÖRÖYÁ","description":"\u003ch1 class=\"hd\" style=\"text-align: center;\"\u003e\u003cspan class=\"buyItemPackageTitle primaryText you-own-this\"\u003eDigital Album\u003c\/span\u003e\u003c\/h1\u003e\n\u003ch1 class=\"digitaldescription secondaryText\" style=\"text-align: center;\"\u003eStreaming + Download\u003c\/h1\u003e\n\u003ch1 class=\"bd\" style=\"text-align: center;\"\u003eIncludes high-quality download in WAV\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong data-redactor-tag=\"strong\" data-mce-fragment=\"1\"\u003e  \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003eGRI GRI BA\u003c\/h1\u003e\n\u003ch2 style=\"text-align: center;\"\u003eThe Great Spell, The Great Sorcerer\u003c\/h2\u003e\n\u003ch1 style=\"text-align: center;\"\u003e\u003c\/h1\u003e\n\u003cdiv class=\"fusion-text fusion-text-1\" style=\"--awb-font-size: 30px; --awb-text-color: var(--awb-custom14); --awb-text-font-family: 'Alpaca'; --awb-text-font-style: normal; --awb-text-font-weight: 400;\"\u003e\n\u003cdiv class=\"fusion-text fusion-text-1\" style=\"--awb-font-size: 15px; --awb-text-color: var(--awb-custom14); --awb-text-font-family: 'Kiona-Bold'; --awb-text-font-style: normal; --awb-text-font-weight: 400;\"\u003e\n\u003cp style=\"text-align: justify;\"\u003eAfrobeat was in vogue some years ago. Everyone was looking at Africa for inspiration especially in the music and words of Fela Kuti, the great Nigerian musician who fathered Afrobeat from West Africa’s Highlife and the Afro-American funk that he encountered after being in contact with the Black Panthers in the US. In the West, the independent music scene was in crisis, and Afrobeat seemed to offer a good opportunity to redeem Western musicians who, before an empty and depoliticized present, thought that ‘becoming Africans’ could gave them a surplus much needed in the industry. The great drummer and composer of Africa ’70, Tony Allen began touring around, appearing in every festival in the West, and collaborating in every new record made. Some bands began to include musicians from the African diaspora who were used to legitimize the bands as a colorful extra and helped to authenticate rhythms and lyrics. Afrobeat was everywhere. It came from the West and reclaimed some glorious past lost in the ‘darkness’ of African history. In countries like Brazil, but also in the US, Afrobeat served for the (white) elites to discovered the African heritage without having to feel uncomfortable about it. It is a very strange thing if we consider that Brazil has the second largest black population in the world. Somehow, in a twisted rework of the Hegelian Master-Slave dialectic addressed by Frantz Fanon, the West acknowledged so its dependence on the African musical tradition without acknowledging Africa’s independence from its world view.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center; width: 100%; margin: 10px auto 10px auto;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"fusion-text fusion-text-2\" style=\"--awb-font-size: 15px; --awb-text-color: var(--awb-custom14); --awb-text-font-family: 'Kiona-Bold'; --awb-text-font-style: normal; --awb-text-font-weight: 400;\"\u003e\n\u003cp style=\"text-align: justify;\"\u003eIt isn’t right to pick the heritage and creativity of oppressed cultures without thinking about the repercussions. This is appropriation. But Höröya has taken a different path. The band from São Paulo does not imitate Afrobeat or Afrojazz. It makes a conscious use of these. In the context of race and class segregation that shapes Brazilian social life, it becomes a political stance. Its front man, André Piruka knows very well what means to be Afro-Brazilian today. His musical compositions, his use of the African instruments and rhythms, show a deep respect and understanding of a cultural tradition that differs from certain stereotypes that still shape the way how Brazil understands its relation to Africa, despite that Africa has dramatically shaped the Brazilian musical culture for centuries. The music created by the African diaspora in Brazil, and everywhere too, has been the result of a collective struggle carried out in the most inhumane conditions. Its survival talks about the resilience of thousands of women and men at the moment of their extermination. Any use, performance, rework or reinterpretation of this musical heritage need to have it in mind. So, it is with Höröya, and many other bands in Brazil, that make use of Afrobeat departing from the slums of their own reality.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center; width: 100%; margin: 10px auto 10px auto;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"fusion-text fusion-text-3\" style=\"--awb-font-size: 15px; --awb-text-color: var(--awb-custom14); --awb-text-font-family: 'Kiona-Bold'; --awb-text-font-style: normal; --awb-text-font-weight: 400;\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cp\u003eIt is exceptional, and one of its greatest achievements, that Höröya does not resort to those stereotyped and fossilized forms of Afrobeat that were current some years ago. Höröya takes the conscious choice of going back to Africa, of working with the masters, and of bringing Africa back to Brazil. It creates a mixture that addresses today’s Diaspora, the reality of economic and social displacement of contemporary Africans in Brazil. The name of the album, GRI GRI BA, means in Malinke the great spell, the great sorcerer… and so it works the music that conspires to bring back to Brazil its own heritage and revive its own past, the very foundations of its culture. This is a dialectical trick. Because, the very strangeness of the music in today’s Brazilian cultural hype makes plain the cultural alienation of Brazilian society. Being African in today’s Brazil still means resistance and resilience, and Höröya has been able to create the soundtrack of this reality.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eEdited by Dr.Sócrates.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" style=\"text-align: left;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: left;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" style=\"text-align: left;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: left;\"\u003e\n\u003ch5 data-mce-fragment=\"1\"\u003eDisclaimer: The images shown are for illustration and mock-up purposes only and may not be an exact representation of the product.\u003c\/h5\u003e\n\u003c\/div\u003e","brand":"Tropical Diaspora Records®","offers":[{"title":"Default Title","offer_id":45538458009868,"sku":"TDR053","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0536\/8063\/6098\/files\/Cover-TDR012-FRONT-2000px-100x-v1_8a331353-27e1-4bf4-a365-5e8b985c7c0c.jpg?v=1776685729"},{"product_id":"dub-manual-levante","title":"DUB MANUAL - Levante! Feat. Dr.Dedoverde","description":"\u003ch1 style=\"text-align: center;\"\u003e\n\u003cstrong\u003eLEVANTE! \u003c\/strong\u003eFeat. Dr.Dedoverde\u003c\/h1\u003e\n\u003cp\u003eAs expected, my desire to do what I love most prevailed. What was kept for a decade, due to life's challenges, has now taken shape and is about to echo.\u003c\/p\u003e\n\u003cp\u003eIt is with joy that I present to you LEVANTE!\u003c\/p\u003e\n\u003cp\u003eThis is the first track of my solo album, created in partnership with Dr. Dedoverde.\u003c\/p\u003e\n\u003cp\u003eDr.Dedoverde was a reggae\/hip hop\/dub band created and led by Alex Romariz, which performed in the early 2000s and ended its activities in mid-2010.\u003c\/p\u003e\n\u003cp\u003eLEVANTE! will be released on 10\/27\/2024 and will be available on all digital platforms by Tropical Diaspora Records®️ 🍉 (Germany).\u003c\/p\u003e\n\u003cp\u003eLEVANTE! was born from an idea based on mistakes and successes, where in the lyrics, Alex Romariz emphasizes that giving up is not an option and it is never too late to try again and start over.\u003c\/p\u003e\n\u003cp\u003eI dedicate this release to a woman who fought bravely for 95 years and always kept her family together. Rest in peace, Dona Irene. We will miss you. In Memory of!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2 class=\"_ap3a _aaco _aacu _aacx _aad7 _aade\" dir=\"auto\" style=\"text-align: center;\"\u003e♏️🦂👉🏾 OUR NEW SINGLE IS COMING SOON ☄️ LEVANTE! Feat. Dr.Dedoverde \u003ca class=\"x1i10hfl xjbqb8w x1ejq31n xd10rxx x1sy0etr x17r0tee x972fbf xcfux6l x1qhh985 xm0m39n x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd\" href=\"https:\/\/www.instagram.com\/alexromariz\/\" role=\"link\" tabindex=\"0\"\u003e@alexromariz\u003c\/a\u003e by \u003ca class=\"x1i10hfl xjbqb8w x1ejq31n xd10rxx x1sy0etr x17r0tee x972fbf xcfux6l x1qhh985 xm0m39n x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd\" href=\"https:\/\/www.instagram.com\/dubmanual\/\" role=\"link\" tabindex=\"0\"\u003e@dubmanual\u003c\/a\u003e\n\u003c\/h2\u003e\n\u003ch2 class=\"_ap3a _aaco _aacu _aacx _aad7 _aade\" dir=\"auto\" style=\"text-align: center;\"\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003cp class=\"_ap3a _aaco _aacu _aacx _aad7 _aade\" dir=\"auto\" style=\"text-align: center;\"\u003eThere is a story to be told. It began with the march of the maroons. When ska slows down into its most extreme form, as it is dub, the music stretches its bass line to cover more land, as to create an invisible wall that threatens the ship in the horizon. The sound system is magical, its sound is allurement. It can only be heard by the slaves that populate the colonial ship. The sound system drives them to rebellion and the ship sinks while the brothers and sisters get into the shores of the new land. There, the process of reconstruction of a true radical universal democracy begins. Nobody remembers the bodies of the oppressors sunk down in the waters of history.\u003cbr\u003e•\u003cbr\u003e\u003ca class=\"x1i10hfl xjbqb8w x1ejq31n xd10rxx x1sy0etr x17r0tee x972fbf xcfux6l x1qhh985 xm0m39n x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz  _aa9_ _a6hd\" href=\"https:\/\/www.instagram.com\/explore\/tags\/dub\/\" role=\"link\" tabindex=\"0\"\u003e#dub\u003c\/a\u003e \u003ca class=\"x1i10hfl xjbqb8w x1ejq31n xd10rxx x1sy0etr x17r0tee x972fbf xcfux6l x1qhh985 xm0m39n x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz  _aa9_ _a6hd\" href=\"https:\/\/www.instagram.com\/explore\/tags\/dubmanual\/\" role=\"link\" tabindex=\"0\"\u003e#dubmanual\u003c\/a\u003e \u003ca class=\"x1i10hfl xjbqb8w x1ejq31n xd10rxx x1sy0etr x17r0tee x972fbf xcfux6l x1qhh985 xm0m39n x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd\" href=\"https:\/\/www.instagram.com\/sanzyodub\/\" role=\"link\" tabindex=\"0\"\u003e@sanzyodub\u003c\/a\u003e \u003ca class=\"x1i10hfl xjbqb8w x1ejq31n xd10rxx x1sy0etr x17r0tee x972fbf xcfux6l x1qhh985 xm0m39n x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd\" href=\"https:\/\/www.instagram.com\/raphagroove\/\" role=\"link\" tabindex=\"0\"\u003e@raphagroove\u003c\/a\u003e \u003ca class=\"x1i10hfl xjbqb8w x1ejq31n xd10rxx x1sy0etr x17r0tee x972fbf xcfux6l x1qhh985 xm0m39n x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd\" href=\"https:\/\/www.instagram.com\/eiraldo_valenca_\/\" role=\"link\" tabindex=\"0\"\u003e@eiraldo_valenca_\u003c\/a\u003e \u003ca class=\"x1i10hfl xjbqb8w x1ejq31n xd10rxx x1sy0etr x17r0tee x972fbf xcfux6l x1qhh985 xm0m39n x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd\" href=\"https:\/\/www.instagram.com\/jaymediscus\/\" role=\"link\" tabindex=\"0\"\u003e@jaymediscus\u003c\/a\u003e \u003ca class=\"x1i10hfl xjbqb8w x1ejq31n xd10rxx x1sy0etr x17r0tee x972fbf xcfux6l x1qhh985 xm0m39n x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd\" href=\"https:\/\/www.instagram.com\/yuriqueiroga\/\" role=\"link\" tabindex=\"0\"\u003e@yuriqueiroga\u003c\/a\u003e \u003ca class=\"x1i10hfl xjbqb8w x1ejq31n xd10rxx x1sy0etr x17r0tee x972fbf xcfux6l x1qhh985 xm0m39n x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd\" href=\"https:\/\/www.instagram.com\/gugafonseca\/\" role=\"link\" tabindex=\"0\"\u003e@gugafonseca\u003c\/a\u003e \u003ca class=\"x1i10hfl xjbqb8w x1ejq31n xd10rxx x1sy0etr x17r0tee x972fbf xcfux6l x1qhh985 xm0m39n x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd\" href=\"https:\/\/www.instagram.com\/ylana.q\/\" role=\"link\" tabindex=\"0\"\u003e@ylana.q\u003c\/a\u003e \u003cbr\u003e•\u003cbr\u003eProduzido Por Dub Manual \/ Dr. Dedoverde\u003cbr\u003e\u003cbr\u003eMúsica - Levante \u003cbr\u003e\u003cbr\u003eLetra - Alex Romariz \u003cbr\u003eArranjos - Sanzyo Rafael, Rapha Groove, Jayme Monteiro\u003cbr\u003e\u003cbr\u003eÁlbum - Bairro Novo \u003cbr\u003eLançamento -\u003cbr\u003eGravado nos Estúdios - CultivaDUb entre 2014-2015\u003cbr\u003eCaptação de áudio - Eiraldo Valença \/ Sanzyo Rafael \u003cbr\u003e\u003cbr\u003eDub Manual é :\u003cbr\u003e\u003cbr\u003eSanzyo Rafael - Programação, samplers, efeitos, synth e escaleta.\u003cbr\u003e\u003cbr\u003eDr. Dedoverde é :\u003cbr\u003e\u003cbr\u003eAlex Romariz - Voz \u003cbr\u003eJayme Monteiro - Guitarra \u003cbr\u003eRapha Groove - Baixo, backing vocal\u003cbr\u003e\u003cbr\u003eMusicos Convidados : \u003cbr\u003e\u003cbr\u003eYuri Queiroga - synth\u003cbr\u003eGuga Fonseca - synth \u003cbr\u003eChiquinho - orgão\u003cbr\u003eYlana Queiroga - Backing Vocal \u003cbr\u003e\u003cbr\u003eMixagem \/ Masterização – Thiago Brigidio ( Vinil Pompéia )\u003cbr\u003e\u003cbr\u003eFoto Capa – Tropical Diáspora Records\u003cbr\u003eFotos divulgação - Vitor Magall ( Take One )\u003cbr\u003eDistribuição Brasil – \u003cbr\u003eDistribuição Internacional – Tropical Diáspora Records\u003cbr\u003eProdução executiva - \u003cbr\u003eRepresentação Artistica - 7 claves producoes\u003c\/p\u003e","brand":"Tropical Diaspora Records","offers":[{"title":"Default Title","offer_id":53689326862604,"sku":"TDR057","price":3.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0536\/8063\/6098\/files\/Cover_TDR040BC_Levante_AaronDouglas_3000x_v4.png?v=1754156594"},{"product_id":"olhos-de-avela-by-joanah-flor-tdr046-digital-platforms-bandcamp","title":"Olhos De Avelã by Joanah Flor, TDR046  [Digital]","description":"\u003cdiv style=\"--awb-margin-top: 20px; --awb-margin-bottom: 20px;\" class=\"fusion-title title fusion-title-5 fusion-title-text fusion-title-size-three\"\u003e\n\u003ch1 style=\"text-align: center;\"\u003eThe New Single by Joanah Flor\u003c\/h1\u003e\n\u003cspan class=\"awb-title-spacer\"\u003e\u003c\/span\u003e\n\u003cdiv class=\"title-sep-container\"\u003e\n\u003cdiv style=\"border-color: #e0dede;\" class=\"title-sep sep-double sep-solid\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"--awb-text-font-family: 'Stinger WideTrial Regular'; --awb-text-font-style: normal; --awb-text-font-weight: 400;\" class=\"fusion-text fusion-text-1\"\u003e\n\u003cdiv class=\"fusion-text fusion-text-1\" style=\"--awb-font-size: 25px; --awb-text-color: var(--awb-custom_color_1); --awb-text-font-family: 'Kiona Regular'; --awb-text-font-style: normal; --awb-text-font-weight: 400;\"\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cstrong\u003e“Olhos de Avelã”: A Manifesto of Love and Resistance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003eJoanah Flor brings to life \u003cem\u003e“Olhos de Avelã”\u003c\/em\u003e—a song that blooms like a breath of love, freedom, and defiance. Born as a tender \u003cem\u003eforró\u003c\/em\u003e celebrating the union of two women during the pandemic’s darkest days, the track now emerges, five years later, as a radiant anthem of queer joy and resilience.\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003ePenned by \u003cstrong\u003eViviane Oliveira\u003c\/strong\u003e as a gift to her beloved Karicia in times of uncertainty, the song found its true voice through Joanah Flor’s interpretation: \u003cem\u003e“I received this gift too—a story so raw and tender, it demanded to be sung.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003eMore than a melody, \u003cem\u003e“Olhos de Avelã”\u003c\/em\u003e is a battle cry for beauty and courage. A reminder that every day is a day to celebrate love, fight LGBT+phobia, and amplify freedom through art.\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cstrong\u003eListen now on all digital platforms!\u003c\/strong\u003e\u003cbr\u003eLink in bio. Save it, share it, and let this fusion of music and activism echo across the world.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e Credits\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cstrong\u003eVocals \u0026amp; Performance:\u003c\/strong\u003e Joanah Flor\u003cbr\u003e\u003cstrong\u003eLyrics \u0026amp; Composition:\u003c\/strong\u003e Viviane Oliveira\u003cbr\u003e\u003cstrong\u003eAccordion:\u003c\/strong\u003e Raniel Souza\u003cbr\u003e\u003cstrong\u003eViola, 8-String Guitar \u0026amp; Cavaquinho:\u003c\/strong\u003e Rubem França\u003cbr\u003e\u003cstrong\u003eDouble Bass:\u003c\/strong\u003e André Campos\u003cbr\u003e\u003cstrong\u003ePercussion:\u003c\/strong\u003e Rafael Peixoto\u003cbr\u003e\u003cstrong\u003eMusical Direction \u0026amp; Arrangement:\u003c\/strong\u003e Rubem França\u003cbr\u003e\u003cstrong\u003eExecutive Producer:\u003c\/strong\u003e Joanah Flor\u003cbr\u003e\u003cstrong\u003eCover Photography:\u003c\/strong\u003e Maria Clara Mendonça\u003cbr\u003e\u003cstrong\u003eArtwork \u0026amp; Graphic Design:\u003c\/strong\u003e Noelle Marão\u003cbr\u003e\u003cstrong\u003ePR:\u003c\/strong\u003e Paula Brasileiro\u003cbr\u003e\u003cstrong\u003eRecording \u0026amp; Mixing:\u003c\/strong\u003e Studio A, Recife\/PE (2020)\u003cbr\u003e\u003cstrong\u003eAnalog Mastering:\u003c\/strong\u003e Estúdio Pombo, Teresópolis\/RJ (2025)\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Tropical Diaspora® Records (Germany)\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Tropical Diaspora Records®","offers":[{"title":"Default Title","offer_id":54332616245516,"sku":"TDR046","price":3.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0536\/8063\/6098\/files\/Cover_TDR046_JoanahFlor_Digital_2000x_v1.png?v=1770642803"},{"product_id":"orquestra-backstage-single-sentido-figurado","title":"Orquestra Backstage New single Sentido Figurado [Digital]","description":"\u003ch1 class=\"ds-markdown-paragraph fusion-responsive-typography-calculated mcePastedContent\" style=\"text-align: center; --font-size: 33; line-height: 1.45; mso-line-height-alt: 145%;\" data-pm-slice=\"1 1 []\"\u003e\u003cstrong\u003eOrquestra Backstage: Where Northeast Brazil Meets the World\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp class=\"mcePastedContent\"\u003e \u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\" style=\"text-align: left;\"\u003eBlending the regional sounds of Brazil’s Northeast with global rhythms—that’s the mission of \u003cstrong\u003eOrquestra Backstage\u003c\/strong\u003e. Formed in 2008 among a group of friends united by their love for diverse genres—from \u003cem\u003efrevo\u003c\/em\u003e, \u003cem\u003eforró\u003c\/em\u003e, and \u003cem\u003ebaião\u003c\/em\u003e to reggae, rock, jazz, samba, Afrobeat, and blues—the band has carved a unique sonic identity.\u003c\/p\u003e\n\u003cp class=\"mcePastedContent\"\u003e \u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\" style=\"text-align: justify;\"\u003eArmed with their “matulão” (a traditional straw basket) overflowing with musical fusion, Backstage stormed the streets of Pernambuco’s Carnival, delivering a one-of-a-kind repertoire. At first, their 70s-inspired rock cascaded down Olinda’s hills dressed in \u003cem\u003efrevo\u003c\/em\u003e’s vibrant energy, rainbow umbrellas in hand. Crowds erupted, mesmerized by this new way to dance—the \u003cem\u003efrevo-rock\u003c\/em\u003e of Backstage.\u003c\/p\u003e\n\u003cp class=\"mcePastedContent\"\u003e \u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\" style=\"text-align: justify;\"\u003eThe band became a bridge, connecting rock enthusiasts with Pernambuco’s street Carnival through electrifying interactivity. As their sound evolved, Afrobeat legends like Fela Kuti and Mulatu Astatke collided with the \u003cem\u003emaracatu\u003c\/em\u003e of Chico Science and Nação Zumbi, all woven into the fabric of Pernambuco’s \u003cem\u003efrevo\u003c\/em\u003e. Their goal isn’t just to reproduce music, but to ignite a dialogue between global sounds and the raw, pulsating rhythms of their homeland.\u003c\/p\u003e\n\u003cp class=\"mcePastedContent\"\u003e \u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\" style=\"text-align: justify;\"\u003eComposed of seasoned professionals who’ve shared stages with Brazil’s finest, Orquestra Backstage is now preparing to record an album of original music—fusing these influences into songs that make the crowd \u003cem\u003efrever\u003c\/em\u003e (a play on \u003cem\u003efrevo\u003c\/em\u003e + “to fervor”). Stay tuned: the world’s rhythms are about to dance like never before.\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\" style=\"text-align: justify;\"\u003e \u003c\/p\u003e\n\u003cp class=\"mcePastedContent\" data-pm-slice=\"1 1 []\"\u003eInstrumental Track:\u003cbr\u003e“Sentido Figurado”\u003cbr\u003e(Reggae \/ Frevo \/ Rock Fusion)\u003c\/p\u003e\n\u003cp class=\"mcePastedContent\"\u003e \u003c\/p\u003e\n\u003cp class=\"mcePastedContent\"\u003eComposer:\u003cbr\u003eDeco Trombone\u003c\/p\u003e\n\u003cp class=\"mcePastedContent\"\u003e \u003c\/p\u003e\n\u003cp class=\"mcePastedContent\"\u003eRecorded at:\u003cbr\u003eEstúdio Mundo Novo\u003c\/p\u003e\n\u003cp class=\"mcePastedContent\"\u003e \u003c\/p\u003e\n\u003cp class=\"mcePastedContent\"\u003eMusic Production, Mixing \u0026amp; Mastering:\u003cbr\u003eBuguinha Dub\u003c\/p\u003e\n\u003cp class=\"mcePastedContent\"\u003e \u003c\/p\u003e\n\u003cp class=\"mcePastedContent\"\u003eExecutive Producer:\u003cbr\u003eCláudia Barros\u003c\/p\u003e\n\u003cp class=\"mcePastedContent\"\u003e \u003c\/p\u003e\n\u003cp class=\"mcePastedContent\"\u003eLabel:\u003cbr\u003eTropical Diaspora Records® Berlin\u003c\/p\u003e\n\u003cp class=\"mcePastedContent\"\u003e \u003c\/p\u003e\n\u003cp class=\"mcePastedContent\"\u003eMusicians:\u003c\/p\u003e\n\u003cp class=\"mcePastedContent\"\u003e \u003c\/p\u003e\n\u003cp class=\"mcePastedContent\"\u003eNino Silva: Snare Drum (Caixa)\u003cbr\u003eRafa Almeida: Bass Drum (Surdo)\u003cbr\u003eEliabe Oliveira: Bass\u003cbr\u003eDeco Trombone: Trombone\u003cbr\u003eAlan: Trumpet\u003cbr\u003eAnderson Oliveira: Trumpet\u003cbr\u003eMestre Jr.: Alto Sax\u003cbr\u003eValdemir Júnior: Tenor Sax\u003cbr\u003eHenrique Santos: Pandeiro\u003cbr\u003eHermes Costa Neto: Photography\u003c\/p\u003e\n\u003cp class=\"mcePastedContent\"\u003e \u003c\/p\u003e\n\u003cp class=\"mcePastedContent\"\u003eSpecial Thanks: Deco Trombone\u003c\/p\u003e\n\u003cp class=\"mcePastedContent\"\u003e \u003c\/p\u003e\n\u003cp class=\"mcePastedContent\"\u003e© 2025 Orquestra Backstage\u003c\/p\u003e\n\u003cp class=\"mcePastedContent\"\u003e \u003c\/p\u003e\n\u003cp class=\"mcePastedContent\"\u003e© 2015-2025\u003cbr\u003eTropical Diaspora Records®\u003cbr\u003e10 years!\u003c\/p\u003e\n\u003cp class=\"mcePastedContent\"\u003e \u003c\/p\u003e","brand":"Tropical Diaspora Records","offers":[{"title":"Default Title","offer_id":54356115128588,"sku":"TDR048D","price":3.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0536\/8063\/6098\/files\/Cover_TDR048_Orquestra-Backstage_Sentido-Figurado_AaronDouglas_3000x_v1.png?v=1754156384"},{"product_id":"musicine-by-zoli-sway","title":"Musicine by Zoli Sway [Digital]","description":"\u003cp\u003e\u003cstrong\u003eTropical Diaspora Records Presents: Zoli Sway’s Musicine – A Sonic Antidote for the Unheard – Soweto’s Soul Alchemist Delivers Timeless Healing Through Vinyl-Rooted Resistance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTropical Diaspora Records® amplifies the raw brilliance of Zoli Sway with her award-winning EP Musicine – a 12-track manifesto (37 minutes) that embodies the label’s mission to “curate the unheard voices of the diaspora through vinyl and live performance”. Born from Soweto’s streets and forged in Newtown’s improvisational fires, Zoli’s music merges R\u0026amp;B’s intimacy, House’s pulse, and African diasporic rhythms into what she calls “timeless healing music” – a perfect alignment with Tropical Diaspora’s vinyl-centric ethos of musical preservation and live authenticity.\u003c\/p\u003e\n\u003cp\u003eThe Diasporic Healing Soundscape\u003c\/p\u003e\n\u003cp\u003eProduced with 1st Tape, Musicine (music + medicine) channels ancestral grief into ethereal melodies, exemplified by “Heaven” – winner of the Eminent Music Video Award for Best RnB Video. The track’s vinyl-crackle aesthetic and couch-bound visualizer mirror Tropical Diaspora’s commitment to organic, unfiltered artistry. Zoli’s live “Music Medicine Experience” shows transform venues into communal healing spaces, echoing the label’s Vinyl Sound Curation residencies where “the focus is the musicians and their live performances”.\u003c\/p\u003e\n\u003cp\u003eRoots in Resistance\u003c\/p\u003e\n\u003cp\u003eRaised on her grandmother’s church solos and father’s vinyl collection, Zoli’s sound carries Soweto’s legacy of sonic rebellion – from kwaito’s defiance to Lebo Mathosa’s fearless stage presence. “I learned performance by watching how music moved people,” she reflects, a philosophy mirrored in Tropical Diaspora’s artist-first approach. As a fully independent artist, Zoli’s self-funded grind (production, marketing, touring) embodies the label’s advocacy for marginalized creators navigating oppressive systems.\u003c\/p\u003e","brand":"Tropical Diaspora Records®","offers":[{"title":"Default Title","offer_id":54409944531212,"sku":"TDR067","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0536\/8063\/6098\/files\/CoverFront3000xv1.jpg?v=1754156015"},{"product_id":"dub-manual-heranca-nordestina-feat-red-lion","title":"Dub Manual • Herança Nordestina, TDR063 • [Digital]","description":"\u003ch3\u003e\u003cstrong\u003eHERANÇA NORDESTINA: A SONG OF RESISTANCE \u0026amp; RECONSTRUCTION\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cstrong\u003eThe Birth of the Song\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eHerança Nordestina\u003c\/em\u003e began as an instrumental composition—a rhythmic echo of the Northeast’s struggles and dreams. In 2015, during a conversation with my brother and \u003cem\u003eDub Manual\u003c\/em\u003e partner, \u003cstrong\u003eThiago Brigídio\u003c\/strong\u003e, he introduced me to \u003cstrong\u003eRed Lion\u003c\/strong\u003e, who embraced the challenge of giving voice to this story through lyrics.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eThe Story Behind the Music\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003eThis song is the anthem of the \u003cstrong\u003eNordestino immigrant\u003c\/strong\u003e—the one who climbs onto the \u003cem\u003epau de arara\u003c\/em\u003e (open truck) with nothing but hope, chasing survival in the concrete jungles of the South. Their dream is simple: \u003cstrong\u003ea dignified life through honest labor\u003c\/strong\u003e. Yet behind this journey lies a deeper history—one shaped by \u003cstrong\u003edrought, hunger, and Brazil’s brutal regional inequalities\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003eThese migrations didn’t just reshape cities; they rewrote the nation’s identity, fueling its workforce, culture, and resistance.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eThe Sound of Rebellion\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003eThere’s a hidden history in this rhythm. When \u003cstrong\u003eska slows into dub\u003c\/strong\u003e, the bassline stretches like an \u003cstrong\u003einvisible wall\u003c\/strong\u003e against oppression. The sound system becomes a weapon of \u003cstrong\u003ehypnotic rebellion\u003c\/strong\u003e—its frequencies only audible to the enslaved on the colonial ship. It calls them to rise. The ship sinks. The oppressors drown in history’s waters. And on the shore, a new world begins: one built by the hands of those who refused to be broken.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eAVAILABLE IN ALL PLATFORMS ☄️\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cem\u003eHerança Nordestina\u003c\/em\u003e ft. \u003cstrong\u003eRed Lion\u003c\/strong\u003e by \u003ca href=\"https:\/\/instagram.com\/dubmanual\" rel=\"noreferrer\" target=\"_blank\"\u003e@dubmanual\u003c\/a\u003e\u003cbr\u003e\u003cstrong\u003eThis isn’t just a song—it’s a reclaiming of memory.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Tropical Diaspora Records","offers":[{"title":"Default Title","offer_id":54429243343116,"sku":null,"price":3.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0536\/8063\/6098\/files\/Cover_TDR063_HerancaN_AaronDouglas_2000x_v2a.png?v=1754747607"},{"product_id":"riosenti-retorno-digital","title":"Riosentí • Retorno, TDR064 • [Digital]","description":"\u003cp\u003eThe new release by the duo Riosentí is titled “Retorno – Live session at Waldinsel” and is the live version of a song that has been available since 2022 on digital platforms. The song was produced in its previous version together with the Mexican musician based in Spain, Carlos Montfort.\u003cbr\u003e\u003cbr\u003eDuring their tour of Europe in 2023, the guitar arrangements that color a song originally composed by Aline Novaro that was sung acapella were born. The theme of the song is collapses, endings, return, life and death. Everything in this life is born and dies. We have been taught to fear the end, the death of things, however, in the essence of everything that is, there is no fear, it is part of everything, there is no fatality, there is acceptance. That is what Aline sings in this song, and in the same way Josué accompanies like a river with his guitar. 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They were a couple of direct takes, without makeup, live, two microphones facing each other, portraying the free nature of the song, voice, guitar and above all, silence, a fundamental aspect of the song.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch1\u003e\u003cspan class=\"bcTruncateMore\"\u003eLyrics\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"tralbumData lyricsText\"\u003eSi yo fuera pajarillo\u003cbr\u003ecantaría flores\u003cbr\u003esi yo fuera florecilla\u003cbr\u003eserian de amor mis colores\u003cbr\u003esi yo fuera melodía de tu violín\u003cbr\u003einvitaría a bailar a la tristeza de la gente\u003cbr\u003e\u003cbr\u003esi yo fuera si yo fuera\u003cbr\u003elo que soy\u003cbr\u003esi yo fuera un poquitito mas de mi\u003cbr\u003etomaría el aire para dar aliento\u003cbr\u003ea bonitas canciones que dibujen\u003cbr\u003esobre el lienzo de tu alma\u003cbr\u003eun rostro brillante que seas tu\u003cbr\u003e\u003cbr\u003ecuando mi canto sean flores\u003cbr\u003ecuando mi amor sean colores\u003cbr\u003eseré violín\u003cbr\u003eseré baile\u003cbr\u003eseré canción\u003cbr\u003eseré aliento\u003cbr\u003eseré tu\u003cbr\u003eserás yo\u003c\/div\u003e\n\u003cdiv class=\"tralbumData lyricsText\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData lyricsText\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003ch1 class=\"credits-label\"\u003eCredits\u003c\/h1\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased January 29, 2025 \u003cbr\u003eCréditos:\u003cbr\u003eComposición letra y música: Aline Novaro y Josué Avalos\u003cbr\u003eVoz: Aline Novaro\u003cbr\u003eGuitarra: Josué Avalos\u003cbr\u003eArreglo guitarra: Josué Avalos\u003cbr\u003eCoproducción musical por Riosentí \u0026amp; Or Izekson\u003cbr\u003eRecorded and mixed by Or Izekson at Waldinsel Studio, Germany\u003cbr\u003eMastering: Avi-ein-zur\u003cbr\u003eArt: Yael Shpinat\u003cbr\u003eDesign: Border Design\u003cbr\u003eDigital Distribution; Tropical Diaspora Records\u003c\/div\u003e","brand":"Tropical Diaspora Records","offers":[{"title":"Default Title","offer_id":54429257203980,"sku":"TDR064","price":3.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0536\/8063\/6098\/files\/Cover_TDR064_RETORNO1500xv1.png?v=1754747950"},{"product_id":"el-doctor-el-v-gardenhouse-ronaldo-gama-remix","title":"El Doctor by El V and The Gardenhouse • Ronaldo Gama Remix","description":"\u003cp style=\"text-align: center;\" class=\"ds-markdown-paragraph\"\u003e\u003cstrong\u003eEl V and The Gardenhouse – \u003cem\u003eEl Doctor (Ronald Gama Remix)\u003c\/em\u003e\u003cbr\u003eDIGITAL SINGLE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cstrong\u003eA Revolution Retransmitted\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003eTropical Diaspora® Records presents Ronald Gama’s reinterpretation of \u003cem\u003eEl Doctor original by \u003cstrong\u003eEl V and The Gardenhouse\u003c\/strong\u003e \u003c\/em\u003eamplifying the original’s tribute to Dr. Sócrates’ Corinthian Democracy (\u003cem\u003e\"Ser Campeão é Detalhe\"\u003c\/em\u003e).\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003eGama’s version electrifies the Italian original’s protest energy with subtle Brazilian Samba cadence, creating a transatlantic bridge between revolutionary traditions. 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Respected producer \u003cstrong\u003eDub Manual\u003c\/strong\u003e delivers a masterful edit that honors the original's raw samba-rock soul while reframing its timeless groove for the contemporary dance floor.\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003eThe original \"Grilos Da Vida,\" penned by the late, great \u003cstrong\u003eReginaldo Laurindo da Silva (Régis)\u003c\/strong\u003e in 1976, is more than a song; it's a piece of São Paulo's cultural fabric. Emerging from the city's Black peripheries, it became an anthem of the samba-rock movement—a fiery blend of funk, soul, and Brazilian rhythm. Its rarity and the myth of its bootleg copies being dumped into the Tietê River have only amplified its legendary status.\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003eThe story of its preservation is deeply personal. Label founder \u003cstrong\u003eDJ Garrincha\u003c\/strong\u003e met Régis in the 90s, long before founding the label. 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It amplifies the original's funk and pays homage to Régis's vision, ensuring that the irrepressible call of \u003cem\u003e\"Nego vem sambá!\"\u003c\/em\u003e continues to resonate from underground clubs to open-air festivals, connecting generations of music lovers.\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003eThis release is not just a rework; it's a tribute, a continuation, and a testament to the undying spirit of samba-rock.\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cstrong\u003eAbout Dub Manual:\u003c\/strong\u003e\u003cbr\u003eMusician Sanzyo Rafael unveils \u003cstrong\u003eDUB MANUAL\u003c\/strong\u003e, a new project channeling the deep echoes of Jamaican dub through the rich rhythmic soul of his hometown, Olinda, Pernambuco. 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The track, featuring the compelling vocals of Alex Romariz, is a raw and spiritual journey that merges the social realism of Brazilian lyricism with the deep, meditative pulses of Jamaican dub.\u003cbr\u003e\u003cbr\u003e“Tempo” opens with a haunting, relatable question to the disenfranchised: “Tá desacreditando da ideia né, nêgo?” (“You’re losing faith in the idea, right, man?”). From there, vocalist Alex Romariz delivers a lyrical testament to resilience, painting a vivid picture of daily struggles, divine faith, and the relentless race against time. The lyrics speak of leaving the house unprotected, facing countless hardships (perrengues), and enduring on faith alone against the torment of an empty stomach.\u003cbr\u003e\u003cbr\u003eYet, “Tempo” is ultimately a song of hope and forward motion. Its chorus marks a shift in consciousness: “Tempo que se passa pra uma nova direção \/ não tem tempo perdido basta ter percepção”\u003cspan class=\"bcTruncateMore\"\u003e (“Time that passes for a new direction \/ There’s no lost time, only a need for perception”). It’s a message of unification, preparation, and healing wounds of the past, urging listeners to believe in the next step.\u003cbr\u003e\u003cbr\u003eMusically, Sanzyo Rafael (Dub Manual) masterfully frames Romariz's poignant performance within a heavy, processed dubscape. The track is built on a bedrock of warm, resonant basslines, punctuated by echoing snares, spaced-out synths, and the characteristic sound system effects that define the project. It’s a perfect synthesis—the soul of Olinda’s streets meeting the infinite echo chamber of Kingston.\u003cbr\u003e\u003cbr\u003eThis release on Tropical Diaspora Records perfectly encapsulates the label's mission, representing a true sound of the tropical diaspora where cultural roots and modern struggles are expressed through interconnected global rhythms.\u003cbr\u003e\u003cbr\u003e“Tempo” by Dub Manual featuring Alex Romariz is available now on all major digital streaming platforms and for direct purchase and high-quality download via Bandcamp.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\/\/\/ Português do Brasil\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eDub Manual Lança o Poderoso Single “Tempo”, com participação de Alex Romariz, pela Tropical Diaspora Records\u003cbr\u003e\u003cbr\u003eBerlin, Olinda, São Paulo\u0026amp;nbsp;– Dub Manual, o inovador projeto de dub comandado pelo músico e produtor de Olinda, Sanzyo Rafael, anuncia o lançamento do seu novo e profundo single, “Tempo”, disponível agora pela Tropical Diaspora Records. A faixa, que conta com os vocais compellingos de Alex Romariz, é uma jornada crua e espiritual que funde o realismo social da lyrical brasileira com as batidas meditativas e profundas do dub jamaicano.\u003cbr\u003e\u003cbr\u003e“Tempo” começa com uma pergunta angustiante e-relatável aos desfavorecidos: “Tá desacreditando da ideia né, nêgo?”. A partir daí, o vocalista Alex Romariz entrega um testemunho lírico de resiliência, pintando um quadro vívido das lutas diárias, da fé divina e da corrida relent against time. A letra fala sobre sair de casa desprotegido, enfrentar inúmeras dificuldades (perrengues) e resistir apenas pela fé contra o tormento de uma barriga vazia.\u003cbr\u003e\u003cbr\u003eNo entanto, “Tempo” é, em última análise, uma canção de esperança e movimento para a frente. Seu refrão marca uma mudança de consciência: “Tempo que se passa pra uma nova direção \/ não tem tempo perdido basta ter percepção”. É uma mensagem de unificação, preparação e cicatrização das feridas do passado, exortando os ouvintes a acreditarem no próximo passo.\u003cbr\u003e\u003cbr\u003eMusicalmente, Sanzyo Rafael (Dub Manual) emoldura magistralmente a performance comovente de Romariz dentro de uma paisagem dub pesada e processada. A faixa é construída sobre uma base de linhas de baixo warm e ressonantes, pontuadas por snares com echo, synths espaciais e os característicos efeitos de sound system que definem o projeto. É uma síntese perfeita—a alma das ruas de Olinda encontrando a câmara de eco infinita de Kingston.\u003cbr\u003e\u003cbr\u003eEste lançamento pela Tropical Diaspora Records encapsula perfeitamente a missão do selo, representando um verdadeiro som da diáspora tropical, onde raízes culturais e lutas modernas são expressas por meio de ritmos globais interconectados.\u003cbr\u003e\u003cbr\u003e“Tempo” de Dub Manual com participação de Alex Romariz já está disponível em todas as principais plataformas de streaming digital e para compra direta e download de alta qualidade via Bandcamp.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Tropical Diaspora Records","offers":[{"title":"Default Title","offer_id":54447222817036,"sku":"TDR072","price":3.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0536\/8063\/6098\/files\/Cover_TDR072_DubManual_Tempo_3000x_v1.png?v=1756084801"},{"product_id":"las-cosas-son-by-riosenti-grabaciones-del-quilpo-unreleased-tracks","title":"Las Cosas Son by Riosentí [Digital]","description":"\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cspan\u003eA decade ago, along the Quilpo River in the Sierras of Córdoba, Argentina, a seed was planted. As nature sang and they awaited the arrival of their first child, one voice and another filled the afternoons with \u003c\/span\u003e\u003cem\u003e\u003cspan\u003esones jarochos\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e and songs blossoming from love. In a small country house, with a simple audio recorder, they captured without knowing it the exact moment the nomadic dream of Riosentí was born.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cspan\u003eTropical Diaspora Records is proud to rescue this intimate universe and present \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e\"Grabaciones del Quilpo (10th Anniversary),\" 4 unreleased tracks\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e that are a journey back in time. This EP is a pure sonic document, a fragment of life where you can hear the voices of Josué Avalos and Aline Novaro, their curiosity and their desire to learn, accompanied by the chorus of parrots and the mountain wilderness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cspan\u003eThese recordings are the organic origin of a journey that has since taken them to over 10 countries. They are proof that love is the compass and music, the path. An essential document for any lover of authentic music, deeply connected to our mission of celebrating roots that transcend borders.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cstrong\u003e\u003cspan\u003eHear the origin of the dream. Discover \"Grabaciones del Quilpo (10th Anniversary),\" available now on all digital platforms.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cstrong\u003e\u003cspan\u003eListen now on:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e all digital platforms\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cstrong\u003e\u003cspan\u003e#Riosentí #TropicalDiasporaRecords #GrabacionesDelQuilpo #OrganicMusic #NomadicRoots #10Years #NewRelease #LatinAmericanMusic\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Tropical Diaspora Records®","offers":[{"title":"Default Title","offer_id":54521906397452,"sku":"TDR073","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0536\/8063\/6098\/files\/Cover_TDR073_Riosenti_LasCosasSon_3000x_v3.png?v=1777885026"},{"product_id":"amor-da-mata-by-joanah-flor-tdr074","title":"Amor Da Mata by Joanah Flor [Digital]","description":"\u003cdiv class=\"fusion-title title fusion-title-5 fusion-title-text fusion-title-size-three\" style=\"--awb-margin-top: 20px; --awb-margin-bottom: 20px;\"\u003e\n\u003ch1 style=\"text-align: center;\"\u003eThe New Single by Joanah Flor\u003c\/h1\u003e\n\u003cspan class=\"awb-title-spacer\"\u003e\u003c\/span\u003e\n\u003cdiv class=\"title-sep-container\"\u003e\n\u003cdiv class=\"title-sep sep-double sep-solid\" style=\"border-color: #e0dede;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fusion-text fusion-text-1\" style=\"--awb-text-font-family: 'Stinger WideTrial Regular'; --awb-text-font-style: normal; --awb-text-font-weight: 400;\"\u003e\n\u003cdiv style=\"--awb-font-size: 25px; --awb-text-color: var(--awb-custom_color_1); --awb-text-font-family: 'Kiona Regular'; --awb-text-font-style: normal; --awb-text-font-weight: 400;\" class=\"fusion-text fusion-text-1\"\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cstrong\u003e\u003cspan\u003eJoana Flor Unleashes \"Amor Da Mata,\" A Sonic Manifesto for the Planet\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cspan\u003eThe new single \u0026amp; music video is out NOW on all platforms. 🌿\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cspan\u003eJoana Flor returns with \"Amor Da Mata,\" a powerful new track that is more than just a song—it's an environmental manifesto. Fusing the raw energy of rock with the roots of Brazilian rhythms, Joana creates a visceral plea for nature.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cspan\u003eThe stunning music video, filmed in the lush landscapes of Aldeia, captures the beauty of the earth and the urgency of its preservation. This is art with a purpose.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cspan\u003eStream \"Amor Da Mata\" and let its message resonate. The forest is calling.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cstrong\u003e\u003cspan\u003e#AmorDaMata #JoanaFlor #NewMusic #EnvironmentalManifesto #BrazilianRock\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fusion-text fusion-text-1\" style=\"--awb-text-font-family: 'Stinger WideTrial Regular'; --awb-text-font-style: normal; --awb-text-font-weight: 400;\"\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cstrong\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Rwa0vDdXxM8?si=an-wyllTWImGMJnW\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cstrong\u003e\u003cspan\u003eJoana Flor - \"Amor Da Mata\" (Official Music Video)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cspan\u003e\"Amor Da Mata\" is the new single and environmental manifesto from Brazilian artist Joana Flor. Now available on all platforms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cspan\u003eFusing the intensity of rock with the soul of Brazilian rhythms, \"Amor Da Mata\" is a powerful and urgent plea for the preservation of nature. It’s a song that speaks of a deep, essential love for the forest and the planet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cspan\u003eThe official music video, filmed in the rich ecosystems of Aldeia, captures the stunning beauty and the pressing vulnerability of the natural world. It is a visual experience that complements the song's call for awareness and action.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cspan\u003eThis is more than music; it's a movement. Listen, watch, and share the message.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e Credits\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSingle - Amor da Mata\u003c\/p\u003e\n\u003cp\u003eArtist: Joanah Flor\u003cbr\u003eLyrics: Joanah Flor and Leonardo Luna\u003cbr\u003eMusic: Joanah Flor\u003cbr\u003eMusical Production: Joanah Flor in partnership with the participating musicians.\u003c\/p\u003e\n\u003cp\u003eCo-production: Cássio Salles\u003cbr\u003eGeneral Direction: Joanah Flor\u003cbr\u003ePercussion and Drums: Henrique Falcão\u003cbr\u003eGuitars: Cíntia Gondim and Santiago\u003cbr\u003eBass: Toinho Japa\u003cbr\u003eRecording: Cássio Salles – Estúdio Criatório (Gravatá, PE)\u003cbr\u003eMixing and Mastering: Paulo Umbelino\u003cbr\u003eExecutive Production: Joanah Flor\u003cbr\u003eGeneral Direction: Joanah Flor\u003cbr\u003eCover Design \/ Visual Identity: Noelle Marão\u003cbr\u003eCover Photography: Tarcísio Boquady\u003cbr\u003eLabel: Tropical Diaspora Records (Germany)\u003c\/p\u003e\n\u003cp\u003eRecorded during a two-day immersion at Estúdio Criatório, in Gravatá (PE), between a waterfall and a black jurema tree, a sacred tree that guards the studio entrance.\u003c\/p\u003e\n\u003cp\u003eThe session took place in September 2025, the month in which the 190th anniversary of the historical Reis Malunguinho, quilombola leader and deity of Jurema Sagrada, is celebrated.\u003c\/p\u003e\n\u003cp\u003eTechnical Sheet\u003c\/p\u003e\n\u003cp\u003eClip Love of the Forest\u003cbr\u003eDirection and Screenplay: Tarcísio Boquady and Joanah Flor\u003cbr\u003eCinematography and Editing: Tarcísio Boquady\u003cbr\u003ePerformance: Joanah Flor\u003cbr\u003eFilming: Recife (PE), Itamaracá (PE) and Mata do Catucá – Abreu e Lima (PE)\u003cbr\u003eYear: 2025\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcknowledgements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo Jurema Sagrada, Reis Malunguinho, to my enchanted beings who sustain me and allowed me to record this richness, even while ill, Warrior of Orubá, Gypsy Pombagira, Exu Tiriri, Mestra Luziara, Mestre Junqueiro, Cabocla Jandira, Mãe Biliu.\u003c\/p\u003e\n\u003cp\u003eTo all the enchanted beings and my family from Casa das Matas Reis Malunguinho, my daughters Maria Clara and Marina Flor, Gabriel and my mother Joana, and all my ancestors. To my friend Tarcísio for gifting us with the sharing of his art with me and the enchanted beings, with so much sensitivity, respect, dedication, and love. To Noelle for always making everything more beautiful with her art, to Elias for adding his perspective. To my band Cíntia, Toinho, Santiago, and Henrique, and everyone who lovingly contributes to my art, to Cássio and Giovanna for opening the gates of the Criatório with so much affection for us to enter. To my label Tropical Diáspora Records for strengthening this journey. I thank everyone who believes in my voice, my art, my truth. To all my friends and to myself, who never gives up, because a daughter of Jurema may stumble, but she never falls.\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e \u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Tropical Diaspora Records®","offers":[{"title":"Default Title","offer_id":54553034785036,"sku":"TDR074","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0536\/8063\/6098\/files\/Cover_TDR074_JoanahFlor-AmorDaMata_2000x_v1.png?v=1770642803"},{"product_id":"joanah-flor-singles-collection","title":"Joanah Flor Singles Collection","description":"\u003cp style=\"text-align: center;\" class=\"ds-markdown-paragraph\"\u003e\u003cstrong\u003eA Voice of Empowerment and Diasporic Resonance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003eEmerging from the vibrant cultural heart of Olinda, Pernambuco, \u003cstrong\u003eJoanah Flor\u003c\/strong\u003e is a multifaceted artist whose work transcends music to become a powerful force for social change. As a singer, songwriter, actress, social educator, and journalist, she has spent over two decades weaving together the rich tapestry of Northeastern Brazilian culture with universal themes of empowerment, resistance, and love. Her artistic journey, now in partnership with \u003cstrong\u003eTropical Diaspora Records\u003c\/strong\u003e, represents a profound alignment of personal mission and label philosophy, creating a narrative that stretches from the streets of Recife to the broader African diasporic experience.\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003eHer collaboration with the Berlin-based label has yielded three significant singles that showcase her artistic evolution and activist core:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003ca href=\"https:\/\/www.tdrgo.co\/products\/deixa-ela-by-joanah-flor-tdr025-digital-platforms-bandcamp?_pos=3\u0026amp;_sid=b4732141e\u0026amp;_ss=r\"\u003e\u003cstrong\u003e\"Deixa Ela \/ Leave Her\" (2020)\u003c\/strong\u003e:\u003c\/a\u003e The foundational manifesto of their partnership, this anthem for female autonomy was recorded on the streets of Recife and atop the city hall, its message tragically underscored by being filmed on the same day as Marielle Franco's murder.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003ca href=\"https:\/\/www.tdrgo.co\/products\/sereia-da-mare-by-joanah-flor-tdr024-digital-platforms-bandcamp?_pos=4\u0026amp;_sid=b4732141e\u0026amp;_ss=r\"\u003e\u003cstrong\u003e\"Sereia da Maré\" (2024)\u003c\/strong\u003e:\u003c\/a\u003e A 2024 release that further explores her musical depth within the MPB genre, available on all major digital platforms.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003ca href=\"https:\/\/www.tdrgo.co\/products\/olhos-de-avela-by-joanah-flor-tdr046-digital-platforms-bandcamp?_pos=1\u0026amp;_sid=b4732141e\u0026amp;_ss=r\"\u003e\u003cstrong\u003e\"Olhos de Avelã\" (2025)\u003c\/strong\u003e:\u003c\/a\u003e Her latest work, released on May 17, 2025, to coincide with the International Day Against Homophobia. This song transforms a tender forró love song between two women into a radiant anthem of queer joy and resilience.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003ca href=\"https:\/\/www.tdrgo.co\/products\/amor-da-mata-by-joanah-flor-tdr074?_pos=2\u0026amp;_sid=b4732141e\u0026amp;_ss=r\"\u003eAmor Da Mata (2025);\u003c\/a\u003e \u003c\/strong\u003eJoana Flor returns with \"Amor Da Mata,\" a powerful new track that is more than just a song—it's an environmental manifesto. Fusing the raw energy of rock with the roots of Brazilian rhythms, Joana creates a visceral plea for nature.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tropical Diaspora Records®","offers":[{"title":"Default Title","offer_id":54668925731084,"sku":null,"price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0536\/8063\/6098\/files\/feat_artist_JOANAHFLOR__1920x_002.png?v=1770642803"},{"product_id":"dub-manual-planeta-de-pedras-tdr081-digital","title":"Dub Manual • Planeta De Pedras, TDR081 • [Digital]","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003cspan\u003ePlaneta De Pedras\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cspan\u003eDub Manual returns in partnership with Berliner label Tropical Diaspora Records, delivering a new single that captures the collision between analog weight and cosmic scale. Building on the cross-continental dialogue that has defined the project, \u003c\/span\u003e\u003cspan\u003e\u003cem\u003ePlaneta De Pedras\u003c\/em\u003e finds its center at the border between worlds: dense tropical jungle giving way to arid desert, the familiar meeting the unknown, a lighthouse fitted with speaker stacks standing as both beacon and weapon.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cspan\u003eTogether, they have created something that moves with purpose—a track designed not just to be heard but to be felt. The kind of music that demands the full range of an analog system, that reveals itself in the warmth of vinyl, that exists as a physical object as much as a sonic one.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cspan\u003e\u003cem\u003ePlaneta De Pedras\u003c\/em\u003e arrives as the latest digital single in a series leading up to the full LP release on vinyl. Each single serves as a fragment of a larger picture—a piece of the whole that will only fully reveal itself when the album takes its final form. The vinyl edition will bring together all tracks in their complete state, pressed for the warmth, depth, and ritual that only the analog format can provide.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cspan\u003eThe single is out now on all digital platforms. The vinyl follows when the sequence is complete.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cspan\u003eUntil then, turn it up. Let the frequency do its work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBeyond Extraction. Toward Liberation\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe mainstream music industry has long operated on a logic of extraction — taking sounds, bodies, and stories from the Global South, processing them through Northern markets, and returning only a fraction of the value to those who created the source material. This is not new. This is the old world.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTropical Diaspora Records was built on a different foundation.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRooted in Pan-African ideology, the label understands that the African diaspora is not a market — it is a living, breathing network of resistance, creativity, and continuity. From Bahia to Berlin, from Kingston to Luanda, the pulse is the same. The task is not to extract from it, but to amplify within it.\u003c\/p\u003e\n\u003cp\u003eThis is why Planeta De Pedras exists not as a product to be owned by the label, but as a work to be shared in fair partnership with the artists who created it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe track brings together:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVitor Magall on guitars\u003cbr\u003eValdir Pereira on bass\u003cbr\u003eBerna Vieira on melodica \u0026amp;amp; production\u003cbr\u003eZé Cafofinho on vocals \u0026amp;amp; rabeca\u003cbr\u003eArtwork by Dj GArRinchA\u003cbr\u003eMastered by Thiago Brigidio\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhy this matters\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTropical Diaspora Records operates on a fair partnership model rooted in Pan-African ideology and Frantz Fanon's concept of the Third Way. Artists retain ownership of their work. Revenue is split transparently. No predatory contracts. No appropriation.\u003c\/p\u003e\n\u003cp\u003ePlaneta De Pedras is proof that music can be made differently.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere to listen:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBandcamp: \u003c\/strong\u003e\u003ca href=\"https:\/\/dub-manual.bandcamp.com\/track\/planeta-de-pedras\" title=\"Bandcamp\" rel=\"noopener\" target=\"_blank\"\u003e[Dub Manual - Planeta De Pedras]\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere to buy: \u003c\/strong\u003ehere\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0536\/8063\/6098\/files\/Dash-Down_v1.png?v=1775730922\" alt=\"\" style=\"display: block; margin-left: auto; margin-right: auto;\" width=\"24\" height=\"118\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eA note on mainstream platforms:\u003c\/strong\u003e All major streaming platforms — through economic or political ties to genocidal and apartheid states — support genocide, oppression, and environmental destruction in one way or another. We are on these platforms for accessibility, but we strongly encourage you to listen on Bandcamp or our website, where your support goes directly to the artists.\u003c\/p\u003e\n\u003cp\u003e Mainstream digital platforms (Spotify, Apple Music, etc.): \u003ca href=\"https:\/\/ffm.to\/ky9ddkk\" rel=\"noopener\" target=\"_blank\"\u003ehttps:\/\/ffm.to\/ky9ddkk\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cspan\u003e@tropical_diaspora_records @dubmanual @dj_garrincha @dj_dr.socrates @brig82 @ze.cafofinhooficial @vitormagall @eiraldo_valenca_ @bernavieira\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cspan\u003e#PlanetaDePedras #DubManual #TropicalDiasporaRecords #FairPartnership #Bandcamp\u003c\/span\u003e\u003c\/p\u003e","brand":"Tropical Diaspora Records","offers":[{"title":"Default Title","offer_id":54742818554124,"sku":"TDR081","price":3.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0536\/8063\/6098\/files\/Cover_TDR081_DubManual_Planeta-De-Pedras_3000x_v2.png?v=1775550929"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0536\/8063\/6098\/collections\/Funnel.png?v=1758840623","url":"https:\/\/www.tdrgo.co\/fr\/collections\/digital.oembed","provider":"Tropical Diaspora Records®","version":"1.0","type":"link"}