The concepts that for decades have change the musical landscape not always make their emergence in the form of scholar statements made by the great academies of music. Neither do they get inside the mass psyche though bland and compromised commercial radio stations.

The sounds that have change the world since mid-20th Century, almost by default come in moments of great artistic desperation and cultural uncertainty on social rupture scenarios. They come to us unexpectedly and from the less predictable corner of the musical spectrum, with just a handful of powerful ideas which are ready to mortally wound the ever languishing and stagnated musical scene.

In that way, in rags but with an irrefutably powerful musical statement, Bando comes to the world’s musical scene.

Its name comes out of a piece of forgotten history of 19th Century Puerto Rico, which refers to the infamous Bando Contra la Raza Africana (The Proclamation Against the African Race): a series of bans made by the Spaniard Crown and promoted locally in 1848 by the then Spanish governor Juan Prim, which imposed the most absurd and brutal punishment to citizens from African descent –be them slaves or freed- out of fear of a negro revolt after the Haitian revolution of 1810.

However, this proclamation is musical, a proclamation for all the races that integrate the genetic pool of the Great Caribbean, that wishes to prove beyond any reasonable doubt that all different slopes of music created by the African diaspora unmistakably lead to the same starting place: Africa.

With barely two years of being formed, this sextet of veterans from the local musical scene -that includes Agustín “Chito” Criollo on bass guitar, Oscar Delgado on Latin percussion, Martín Latimer on rhythm guitar, Jerry “El Zambo” Rivera on lead vocals, Richard Torres on drums, and Gaby Vidal on lead, rhythmic and atmospheric guitars- have taken their distinct blend of Latin rock, Boricua afrofunk and afrobeat to world renowned platforms where have become the talk of the town.

Perhaps their biggest achievement to date – not considering the numerous live performances from the likes of their presentation of the March 2014 edition of the Heineken Ventana al Jazz and their opening show for salsa heavy weight Ismael Miranda on the Smithsonian American Sabor tour- has been becoming the first band in Puerto Rico to get signed by a Japanese independent music label (Barrio Gold Records), which released their debut album on January 2015.

Indisputably, 2015 marked the year that Bando exploded into the world musical scene becoming one of the most relevant musical groups in Puerto Rico since Puya. We only hope that 2016 will be the year that Bando conquers the world.

Puerto Rican group Bando is named after the Spanish Crown’s proclamation and bans against the African race in the mid 1800s. But the proclamation the Afro-Latin rock band is promoting is one of Caribbean integration and deep appreciation for music of African origin.

Calling on people to push the envelope, analyze, learn, and create, Bando is driven by a desire to learn about the world and from each other. The band prides itself on having an eclectic mix of seasoned musicians: Agustín “Chito” Criollo on bass and backing vocals, Gaby Vidal on lead and atmosferic guitars, Jerry “El Zambo” Rivera on lead vocals, Martín Latimer on rhythm guitar, Oscar Delgado on Latin percussion, and Richard Torres on drums.

The video for “La Clave” was directed by Gabriel Meléndez, an artist who studied film in Cuba. He based the video on his fascination with Japanese film noir and animation because the record was financed by Japanese indie label Barrio Gold Records.