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News2021-11-16T18:49:57+01:00

June 2020

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Berlin Apr 13 (TD®R): Tropical Diaspora® Records Manifesto – our position facing cultural appropriation

Let us begin by stating that the language in which we write is alien to us. But like any other means of communication language is also an arena of struggle. We use language as a weapon.

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Our Mission!

We emphasize cross-cultural experiences...

Tropical Diaspora Records® is committed to create and relect a musical narrativ originated by forced African migration, its collective memory and their powerful musical herstories. We are popular based, politically conscious and anti-colonial. As we carry out our musical research, we come face to face with the question of how to address the cultural life of communities that have been dispossessed and opressed for many centuries. Ways of looking and narratives need to be handed back, as we observe with sadness how mainstream recording companies are still in the business of taking advantage of, expropriating the cultural heritage of African and originary people world wide.

Frantz Fanon

We would like to thank Frantz Fanon, always a source of inspiration.

from Toward the African Revolution “…Having judged, condemned, abandoned his cultural forms, his language, his food habits, his sexual behavior, his way of sitting down, of resting, of laughing, of enjoying himself, the oppressed flings himself upon the imposed culture with the desperation of a drowning man. … At the United Nations there is a commission to fight race prejudice. Films on race prejudice, poems on race prejudice, messages on race prejudice. Spectacular and futile condemnations of race prejudice. In reality, a colonial country is a racist country. If in England, in Belgium, or in France, despite the democratic principles affirmed by these respective nations, there are still racists, it is these racists who, in their opposition to the country as a whole, are logically consistent. It is not possible to enslave men without logically making them inferior through and through. And racism is only the emotional, affective, sometimes intellectual explanation of this inferiorization.…”

Our Partners

"...Com sabença profunda irei cantando Altos feitos da gente luminosa..." Luís Gama

We believe that we can turn our ideas into reality through our innovative ways of storytelling. Our well equipped, insanely enthusiastic team helps us to realize any kind of artistic production.

 

 

Noise Studio

Noise Studio our Partner for Creation and production of soundtracks for cinema, internet, radio and television. Post production and audio finishing. Sound Design, sound effects and foley. Voice-over, recording and music production. Script Production and Audio Description Recording

 

 

Chanel Bob Fernandes

Channel of the Journalist Bob Fernandes. Our Partner for news and information with a Jornalistic Narrative thar represents us as independent recording company and as political conscious people.

 

Cinema Partners and Sponsors

Writing & Direction

Exploring Realities. Thinking in pictures. Forging unique characters.

 

AfroCannes

AfroCannes is a two-day event featuring panel discussions, country highlights, presentations, screenings, cocktails and tributes. AfroCannes aims at promoting diversity, inclusion in film across the industry. AfroCannes connects creatives, businesses and stakeholders from the entire film ecosystem at the world premiere film gathering; The Cannes Film Festival.

 

 

Noise Studio

Yanibes Consulting is communications and business consulting company.

 

Free Palestine! End Apartheid and Settler Colonialism. #freepalestine

Tropical Diaspora Records® position facing apartheid and colonialism. Israel is occupying and colonising Palestinian land, discriminating against Palestinian citizens of Israel and denying Palestinian refugees the right to return to their homes. Inspired by the South African anti-apartheid movement, Tropical Diaspora Records® call urges action to pressure Israel to comply with international law.

Read our Manifesto: our position facing cultural appropriation.

... Look at a compilation of so-called World Music, as it is typically done in the US or Europe...The powerful cultural institutions of the European national states are happy to back this colonialist penetration in the name of the Other, because they know better. So we end cheering up Humboldt’s achievements as if they were our own... Colonialists have always granted themselves the right to represent Others, to measure them against their own scientific and artistic achievements. Record labels perpetuate this ideology when they create through recordings the plane where those featured are kept alive as Others, the strange subject of the colonialist curiosity and inquiry. By claiming the words World, Ethno, Afro or Latin the colonialist gives the impression of universality. But this is a misrepresentation. Through these recordings the colonized learns to act as African, as Latin, as Native in the eyes of the white supremacist. It means, the colonized has been stripped of her own humanity and universalism in order to become a puppet...

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